Discussing each of the specific changes made to Shaman King’s art style.
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Artist: Artifical.Music
Track: City Life
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Track: Watching the Clouds
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NieR Replicant: ‘Song of the Ancients ~ Devola’ | Classical Guitar Cover
NieR Replicant: 'Song of the Ancients ~ Devola' | Classical Guitar Cover | John Oeth

Editing: Sol
(https://www.youtube.com/channel/UCscl8ac4IH5-tdYYl3rMtfA)

I do not own Shaman King, the Shaman King anime, or the Shaman King manga.
© Hiroyuki Takei, KODANSHA Comics

Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

22 Comments

  1. Shaman Kings' art style excels with its transformations and intense clashes with it's battles to me also the scenery is so great at times

  2. I love your videos. Your narration is really relaxing to listen to. If you ever did 30+ minute analysis vids on different subjects, I wouldn’t be mad lol

  3. Make a video about Berserk, about not only the improvement in Miura's paper drawings but also about the transition to digital

  4. I've been reading the entirety of Shaman King this school year. It was a great read with the characters, stories, and art being so great.

  5. Early Shaman King also took a lot artistic influence from western comics, especially the emerging ones like Dark Horse and Image. Takei is a bit of a westaboo.

    It isn't immediately obvious but if you look at some of the original Hellboy chapters you'll begin feeling the similarities.

  6. Shaman King was publish in my country very close to the Japanese releases, and I read it through my late teens after reading Rurouni Kenshin. It was nice to read the translations of his author notes, seeing how he kept growing as a person and his experiences along with how his style matured and the too.

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