Obviously, Aimi has enormous talent, and with any luck, a very bright future. I do suggest she study the playing of Piotr Anderszewski, who happens to have a great recording out of this piece. He is a true inheritor of Richter and Gould, combining the best of both in his own complete fashion. Aimi sounds like she is headed in a similar direction.
Her French suite No.5 is so graceful and emotional. Especially, the last Gigue has really enchanted me. Although I'm fond of Bach's keyboard tunes by Glenn Gould, she seems that she is searching another way for approaching J.S Bach's keyboard works. Of course, I admit it. And I'm expecting her growth.
I love the gigue. Seems like a light little tune at first, but as you listen, you find there's more and more going on, deeper and deeper, as the voices chase each other around, trading licks and rhythms, with hints of fugue structures. I like Aimi's straight-ahead approach. It creates a sort of inexorable momentum, counterpoint to the lightness of the tune. Bach = true genius.
33 Comments
Obviously, Aimi has enormous talent, and with any luck, a very bright future. I do suggest she study the playing of Piotr Anderszewski, who happens to have a great recording out of this piece. He is a true inheritor of Richter and Gould, combining the best of both in his own complete fashion. Aimi sounds like she is headed in a similar direction.
It's Gavotte not Gavott. Nice playing.
she's got a lot of talent technically!!No doubt but if she's love play piano i think in future she can becoming a great pianist!!!
Only a beautiful soul can play like that. A beautiful little girl.
She already is if you haven't seen her profile history.
She already is if you haven't seen her profile history.
Search her name in wikipedia. Outstanding.
Search her name in Wikipedia, Ludwig. She already is.
Nice bösendorfer piano.
うぅ、やっぱり天才だ。
流れるような密な演奏は大人の領域のテクニックを思わせる。この人は何歳ですか。あどけなさにびっくりしました。手が自然に鍵盤を滑るように跳ね、見事な演奏です。この技術力には言葉がありません。ただただすごすぎる子供さんですね。ピアノが生きいきの素敵な音に感動しました。
これからが楽しみですね。きっと世界に羽ばたく名演奏者になると思います。才能に恵まれた人達が日本にも沢山おられますね。全ての楽器にはこの人ならでは、と、うれしい期待が持てます。羽ばたけ、日本人と応援致しましょう。
日本は楽器作りにも世界水準ですね。名演奏者も沢山生まれることを素人ながら祈っています。私達も素晴らしい演奏が聞けますことを楽しみにしています。それでは日本の音楽を支える沢山の人達に夢と希望を託します。
素晴らしい音楽は心に響きます。未来に引き継ぎ、夢と希望を与えましょう。
Aimi, that was impeccable. Johann Sebastian Bach would be so proud of you performing his works so flawlessly.
I feel she dances with her piano…how wonderful!
Beautiful Aimi!
Really precisely and amazing
Her French suite No.5 is so graceful and emotional. Especially, the last Gigue has really enchanted me. Although I'm fond of Bach's keyboard tunes by Glenn Gould, she seems that she is searching another way for approaching J.S Bach's keyboard works. Of course, I admit it. And I'm expecting her growth.
I hope she matures in her playing by not rushing her playing so erratically. She should learn pace and balance with her skill.
Der Bach mit seiner Music verführt auch die jungsten Seelen.Wahrhaftig ,Vater aller Music!
Beautiful !!!
Grand young Guld…….
wow, fantastic playing
wow!!! ang galing ng batang ito!! she is young yet very good! it's just that the video is not in high quality
Who are these youtube critics giving Aimi Kobayashi "advice"?
👍👍👍👍👍👍👍👍👍👍👍👍
There is a fire in her playing that even the great masters of of J.S. Bach would envy – how amazing!
Aimi, você toca com a alma. Parabéns!
5番は全曲可愛らしい
sem duvida um anjo ,genio da boa musica
Bravissimo! One of the best, if not THE best interpretation and execution ever.
Although she is (was) a child, one immediately notices that she feels the nature of Bach´s music.
Same with Chopin what I heard some minutes ago…
Great to see that such instinctive talent exists. This girl was a true musician even at that age… I guess one is born or not born as musician. 🙂
Aimi you are a beautiful soul and a world treasure. I've never hear this played so beautifully. Thank you.
Awesome!
유자왕의 어린시절 연주모습과 흡사합니다 감격스러워요~!!!
I love the gigue. Seems like a light little tune at first, but as you listen, you find there's more and more going on, deeper and deeper, as the voices chase each other around, trading licks and rhythms, with hints of fugue structures. I like Aimi's straight-ahead approach. It creates a sort of inexorable momentum, counterpoint to the lightness of the tune. Bach = true genius.