7.10.2021
Sala Koncertowa Filharmonii Narodowej w Warszawie / Warsaw Philharmonic Concert Hall
XVIII Międzynarodowy Konkurs Pianistyczny im. Fryderyka Chopina
Sesja 1
The 18th International Fryderyk Chopin Piano Competition
First session
AIMI KOBAYASHI (Japonia / Japan)
https://chopin2020.pl/en/competitors/57/aimi-kobayashi
Etiuda a-moll op. 25 nr 11 / Etude in A minor, Op. 25 No. 11
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Oficjalna strona Konkursu/ The official Competition website:
http://www.chopin2020.pl
Oficjalna aplikacja / The official app:
iOS version: https://apps.apple.com/app/chopin-competition-2020/id1499789385
Android version: https://play.google.com/store/apps/details?id=pl.nifc.chopincompetition2020
Subscribe: https://www.youtube.com/channel/UCSTXol20Q01Uj-U5Yp3IqFg
21 Comments
Умница 👏👏👏👏👏💓💓💕💝💝💝🌹🌹💐💐
i want every person who disliked to experience the pressure of that stage.
I just love this etude 😍 So well executed. Beautiful!
震えますねぇ
She played it so well ! An amazing sound
自分用
練習曲25-11「木枯らし」(ショパン)
Thanks for the great melody 💙
Great voicing, yet I think it lacks power.
She reminds me Emi from Your lie in April
🤩🤩🤩🤩🤩🤩
Frederyck is still up there sending down his Angels 😇
Beautifully played! This recording was a great help for my study of this piece, especially when I was recording it on YouTube, thank you Chopin Institute for sharing.
Aimi, you are an amazing musician!
the amount of courage it takes to play that on stage is mad
This performance is so unique and beautiful ❤ it gave me a different feeling
이 겨울바람은 사연있는 겨울바람 같아….바람에게 무슨일이 있었나봐.애잔하고 슬퍼…개인적으론 제일좋다♡
👏👏👏👏👏👏👏👏👏👏💖💖💖💖💖💐💐💐💐💐🔥🔥🔥🔥🔥
The Green Book brought me here.
Okay performance. Needed to be louder at times, and you slowed down sometimes in poor ta, particularly in the sections where the right hand is going up and down in quick succession, which the score, as followed by the most celebrated performances, clearly indicate are supposed to be played at the same tempo as the initial section of the right following the introduction of the piece.
One of the best interpretation of this etude I've heard! 👑
One of the most solid, balanced, and interpretively successful versions I've heard of this extremely difficult study, Kobayashi manages to foreground the character of the piece without making a spectacular, empty technical exhibitionism.