エリザベス・デビッキ＆ケヴィン・ベーコン、マキシーン愛語る！A24大ヒットシリーズ3部作の完結編／映画『MaXXXine マキシーン』インタビュー
『Pearl パール』『X エックス』シリーズの完結編！《強烈なフィナーレ》を迎える！エリザベス・デビッキ&ケヴィン・ベーコンがマキシーンへの愛を語る！『MaXXXine マキシーン』2ショットインタビュー映像解禁！
A24の最大ヒットシリーズとなる『X エックス』『Pearl パール』に続く、三部作の完結編『MaXXXineマキシーン』について語るエリザベス・デビッキとケヴィン・ベーコンのインタビュー動画が解禁！
この度、解禁されたのは、マキシーンの才能を見出し、自身が手掛ける作品の主演に大抜擢し、ホラー映画を心から愛する映画監督エリザベス・ベンダーを演じたエリザベス・デビッキと、6年前、マキシーンの身に起きた猟奇的殺人事件の真相を知る謎の私立探偵を演じたケヴィン・ベーコンという、マキシーンにとって光と闇のように相反する存在となる重要なキャラクターを演じた二人の貴重な2ショットインタビュー映像。
本シリーズの前2作『X エックス』『Pearl パール』、ともに鑑賞済みだったことを明かすのはケヴィン・ベーコン。「監督と話してみたくて、僕から連絡したんだ」と振り返り「当時は3部作のことは何も知らなかったけど、彼が『MaXXXine マキシーン』を撮影するってなった時『君に合う役があるかもしれない』と念願の出演だったことを明かす。
一方、ホラー映画を観る習慣がなかったというエリザベス・デビッキは「今作を撮ってから変わった」と話す。脚本を受け取った時は「『ザ・クラウン』の撮影中だった」と言い、その脚本は「その時やっていた役と何もかも違ってた」と思い返しながら「脚本は面白くて、まるで薬のようだったわ」と告白、＜超脚本家オタク＞を自称する自身にとっても「本当によく書けてる」と称賛。
『X エックス』、『Pearl パール』の完結編にして強烈なフィナーレ、A24史上最高に痛快で、爽快なスターダム・スリラー・エンターテイメント『MaXXXine マキシーン』は2025年6月6日より全国公開。
【関連記事・動画】
■［動画］ポルノ女優から“本物のスター”へ『Pearl パール』『X エックス』シリーズ完結編／映画『MaXXXine マキシーン』特別映像
■［動画］夢見る少女がいかにして凶暴なシリアルキラーへと変貌していくのか？映画『Pearl パール』ショート予告
■［動画］映画史上もっとも無垢なシリアルキラー誕生！A24最新ホラー映画『Pearl パール』予告編
#エリザベスデビッキ#ケヴィンベーコン#MaXXXine
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generic thank you whenever you’re ready just let the name out okay great a24 generic um all right so for both of you um were you familiar with the other films when you received the script and what about Tai and the world of X and Pearl made you want to get involved i had seen both of those X and Pearl and reached out to Tai just to have a conversation with him uh not knowing anything about the trilogy and he said “Well I’m going to do this other movie magazine.” Uh and um maybe there’s a part for you um so he sent it to me and then we started talking about it i hadn’t seen them a lot of people I love and respect had told me to see them uh as in yes I respect them as people but I deeply respect their cinema taste and they kept saying “You have to see Mia Goth do these X and Pearl movies they’re amazing.” And but I I avoid I do avoid horror and you know what i feel that that is changing now after making this film and also yeah maybe I’m getting a little braver but I think there’s a wealth of incredible performances I’ve not been brave enough to watch so I hadn’t seen them the script came into my inbox i I was just w you know I was like still making the crown and so this thing came into my inbox that was so different from what I was doing as an actor at the time and it was sort of like medicine to me because the script was so funny and fast and entertaining and really well written and I’m a I’m a writing you know I’m like a massive writing nerd so I just thought this is so well written i watched the other two films i thought they were I watched I did watch them in the daytime have I told you i I ruined it i watched them in the daytime but I was like I can do it uh but I was what I found there was completely it completely subverted what I thought was going to be there because they’re performance pieces first and foremost and everybody’s amazing them and um then I met Ty and he’s just a really lovely smart person so that was the little combination that cooked up together and then when I came to make this movie I had the best time so it was just um delightful experience all around that’s great um so how did you prepare to step into each of your roles um did Tai share any sort of cinematic inspirations during pre-production were there certain performances that you referenced as you built um out your character elizabeth for you in particular were there certain directors you worked with or read about that you drew inspiration from um I did some research into women who were directing films in the 80s i knew that time must have based her loosely on somebody and that was really eye opening to me because I didn’t realize I’m very sort of not very 80s cinema illiterate but I’m not particularly wise on it so I learned a lot about these people i mean they made amazing films that still stand up and um but it was very difficult obviously to be a woman in um the 80s directing films be it’s difficult still for women to be given the money they need to make the films they want to make so I can’t imagine the um glass ceiling they were pushing up against um so I like I I felt important to me that she felt authentically uh sort of paying homage to those women and um there’s no direct I don’t know a Liz Bender although I kind of feel like I wish I did to be honest because it’s very useful to have someone tell you that’s not true i don’t know a director like Liz Bender but I know I have women in the industry who Liz Bender me and they tell me things I don’t want to hear um which is very very useful especially when you’re a young actress and you think it’s not that you think you know everything but you you get you can become very overwhelmed um so yeah I work with really lovely directors who are very kind to their actors and um so she’s not based on anyone i think she’s a kind of like combination though of the frustration I have perhaps like pent up in me as an actor working in Hollywood for many years it never made it into the film but there are some versions of me calling cut where like all my rage is just like expanded out of my body um they went with a much milder I think maybe an ad version actually really i think they were like we need to pull that back that’s funny and Kevin um how about yourself i mean also like as an icon of the 80s what was it like to be part of a film that was sort of set in that time period did that inform this character that you were playing and how you were thinking about him uh yeah I mean well first off in terms of the informing the character you know I I the process is is has been sort of the same for me for a while which is to start to talk to the director about his ideas for him and and then you know start thinking about backstory um do whatever kind of you know ride along situations I can figure out and then start think about the external pieces of it in terms of voice and the clothes and the hair and makeup all that kind of stuff um but yeah I mean the ‘8s piece of it is is pretty weird because I was there on this street you know driving around and making movies and going on to the back lot and and you know experiencing all that firsthand not just as an as an observer but you know as this but in the actual movies that were being made like I could have been in The Puritan is basically what I’m saying you know and uh So it was it was fun i mean I found that really fun and and and I don’t I’m not something that tends to look backwards too often i don’t have much of a rearview mirror when it comes to life but this has sort of forced me into a more kind of nostalgic point of view um and for both of you you know Maxine and Pearl have become such icons for so many young people um especially women and I’m curious why do you think so many people have fallen in love with you know these two anti-heroes oh god because she’s such a relief honestly like she’s so refreshing i think women in hor in horror I I I can say I’ve had many experience where I particularly remember this in the ‘ 90s when I would be watching things as like a younger person or the 2000s where I’d be sat at these like slumber parties with all my friends and you spend the whole movie going don’t go why are you going up the thing don’t get in the car don’t you know and you and you kind of like these women are in this genre and I know I have No doubt for these actresses they were like “So yeah why am I going up to the thing?” Because the guy is clearly you know and they still had to do it so as a as a character she is doing it’s extremely satisfying to watch a woman use her intelligence to survive not the other way round and um I that sounds really basic but I think that’s kind of what it is i mean I a few journalists today have sort of said she’s an anti-hero but I don’t really think she’s an anti-hero i think she’s just a really great heroine in this trilogy and uh yeah she’s just very refreshing i really like that character i’d want I’d want to be her friend in 1985 yeah um and just very quickly um curious if you have like a specific you know scene that was like super super fun to film um that you just look back on really fondly especially cuz this is a movie about making movies i liked chasing uh Mia through the back lot i thought that was just super fun and you know it’s one of those scenes where you know we don’t have any lines uh just running i mean we had some lines at the end but uh just there was something so great about that and I’ve spent you know so much time on that lot and going down those streets but to actually be using them uh in in in that kind of way was just very fun in a meta kind of way i love the scene where we actually kind of built like a set that Lily was on and we were trying to shoot the flashback of the Puritan and all the blood goes on the face i just that was really fun for me being at that sort of old monitor and the incompetent producers and I was just that was really great i liked working with those two women like to have the three of us in the same scene was really lovely yeah