Listen to “Little Foot Big Foot” feat. Young Nudy here – https://childishgambino.lnk.to/Atavista
Follow Childish Gambino:
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YouTube: https://www.youtube.com/@childishgambino/
Facebook: https://www.facebook.com/donaldglover/
Credits:
Director: Hiro Murai
Producers: Jason Cole and Danielle Hinde
Production Company: Doomsday
Co-Executive Producers: Chad Taylor and Fam Udeorji
Choreographer: Shay Latukolan
Choreo Asst: Lars Bohte
Prod Supervisor: Roland Berry
Prod Coor: Daniel Brink
Office PA: Giulia Alexander
1st AD: Gavin Macleod
2nd AD: Rick Randell
2nd 2nd AD: Joey Neubauer
DP: Larkin Seiple
Steadicam: Brian Freesh
1st AC: Matt Sanderson
2nd AC: Jonathan Dec
DIT: Earl Fulcher
Gaffer: Matt Ardine
ACLT: Stephanie Hauser
SLT: Nick Perry
SLT: Brad Ferm
SLT: Nick Street
Hyphenate: Jack Shaw
Key Grip: Justin Moran Duquette
Best Boy Grip: Aaron Stinde
Dolly Grip” Connor Bordell
Grip: Austin Johnson
Grip: Fernando Nevarez
Hypenate: Abel Soto
PD: Page Buckner
Asst Art Director: Jenny Lass
Lead Person: Pablo Sanchez
Set Decorator: Tamar Barnoon
On Set Decorator: Denver Stoddard
Set Dresser: Carlos Canon
Set Dresser: Noah Tavares
Set Dresser: Sergip Arevalos
Sound Mixer: John Rampey
VTR: Jarrod Butler
Location Mgr: Alex Dominguez
Costume Designer: Mary Zophres
Costumer: Kelly Porter
Asst Costume Designer: Josh Quinn
Asst Costume Designer: Adrian Lubanski
Lead Make Up: Michele Lewis
Make Up Asst: Petrice Bankhead
Makeup Asst: Deborah Humphries
Make Up (CG): Autumn Moultrie
Make Up Asst (CG): Dalia Younan
Lead Hairstylist: Andrea Mona Bowman
Hair Assist: Yvette Shelton
Hair Asst: Kamaaura Eley
Hairstylist (CG): Tiffany Daughtry
Groomer: Janice Kinjo
Stunt Coordinator: Ryan Sturz
Club Mgr: Quinta Brunson
Pipe 1 Dancer: Monyett Crump
Pipe 2 Dancer: Rob Bynes
Stunt Performer: Xavier Charles
Stunt Performer/ Man with gun: Eric Watson
Smoking Man: Leopold Murphy
The Girl: Ezenwa IIabor
Blues Guitarist: Oscar Jordan
Laughing Man: Landry Barb
Dancer in the desert: Zonta Te’Ahnna Wallace
Edited at PARALLAX
Edited by Luke Lynch
Assistant Editor Victor Dos Santos
Executive Producer Graham Zeller
Post Producer Eliza Moley
Sound Designer: Trevor Gates/ Formosa
VFX by Monumental and Square VFX
Head of Post Production: Laïla Hamdaoui
Post Producer: Elisa Johanna Känd
VFX Creative Directors: Mathieu Jussreandot, Colin Journée
VFX Production Manager: Julie Delepine
On-set VFX Supervisor: Ben Kadie
CG Generalists: Victor Dufayard, Laurent Basset
Mattepainting: Richard Gomard
Compositing: Thomas Jouenne, Adrien “Palmito” Renay, Isabelle Tchoungang
Roto: Sancio VFX
Color: Alex Bickel
Management: Gilga/W+R, Myles Williams, Savannah Braswell, and Mariah Christian
#ChildishGambino #Atavista #OfficialVideo
48 Comments
The most captivating man in music. Genius.
The Nudy feature is starting to make since now🤯
After several listens, this becomes such a banger. I wasn't feeling it at first, but it really grows on you. Absolute fire, I love 3:41
uhh
My guess is a parody of Bruno Mars and Beyonce. Two artists who's success was based on doing very dry, very white and very strange versions of black American musical genres.
Lyrics
[Chorus: Childish Gambino]
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo (Woo)
[Verse 1: Childish Gambino]
Little foot, big foot, get out the way
Bustin' out bales, I've been bustin' all day
Bustin' out bales, we were sellin' that hay
We been movin' that snow, I was ridin' that sleigh
Double cup C's, had to put them in the safe
Got the semi on deck, .45, AK
Servin' up fiend, I remember that J
Brought his daughter to the house, I was cryin' all day
L's rolled up and I'm packin' that heat
12 roll up and I'm slappin' them feet
He was only sixteen, he was lookin' at three
Now he lookin' at nine, pray to God he don't speak
Water drip rich, so we gave 'em that leak
Bales got my baby mama nails on fleek
I was seven years old, daddy thrown in the clink
Said, "Life ain't fair, everybody gon' cheat"
[Chorus: Childish Gambino]
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo (Woo)
[Verse 2: Childish Gambino]
Chicken coupe, chicken soup, I got the wave
Move so smooth like butter, like shea
Crime don't pay, I ain't heard what they say
Quarter brick, half a brick, whole brick, ayy (Ayy)
Cotton ball white like hen house floors
Could've been broke, this the life I chose
They was in school, I was stirrin' that pot
Daddy couldn't come home, I was takin' that spot
Life move fast like a movie, so quick
Dark-skinned beauty got a booty so thick
She a down-home chick, she'll hit that lick
Had to drop my old girl 'cause she think that she slick
I ain't seen him in a minute, so I think he might flip
Had to hit him with the stick, man, you niggas ain't—woo
If I couldn't move bricks, I don't know what I'd do
I ain't worried 'bout mine, you can worry 'bout you
[Chorus: Childish Gambino]
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo (One, two, one, two, three, ah)
[Verse 3: Young Nudy]
(Slime)
Put my foot in that work
Everything you stepped on (Step on)
You sayin' this all to me, boy, you got stepped on (Oh, yeah)
I roll 'em up a light, you know I get my rep on (Get my rep on)
And I just pour a pussy all up in this styrofoam (Yeah)
Diamonds on me, six, EA, my zone (EA)
Got up by myself, ain't nobody put me on (Ain't nobody put me on)
Turn a pop song into a real scrap song (To a real scrap song)
I just unloaded in ya bitch
Deepthroat, she just tryna suck a nigga dick
Freak hoe, I could never fall for your bitch (Nah)
Ego's too slow, mind too big (Mind too big)
Check out my life, I live big (Yeah)
Check out my ice, yes, they dig (They dig)
Walked in, Mike Tyson, knock 'em down, shit (Knock 'em down, shit)
All these diamonds on me hittin' (On me hittin')
(Yeah, diamonds)
All these diamonds on me hittin' (All these diamonds on me hittin')
Yeah
Real raw rook', came up on rich (Real raw rook', came up on rich)
Huh, gotta keep it real, right hand on my brick (Yeah)
Everybody hatin' on me 'cause I'm lit (Yeah)
Top of the world, and I ain't givin' y'all shit
Damn (Top of the world, I ain't givin' y'all shit)
Slime, ow, slime, ow
(Top of the world, and I ain't givin' y'all shit)
[Chorus: Childish Gambino]
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo
Little foot, big foot, get out the way
I'ma show y'all how to move this yay'
I'ma show y'all how to move like this
I'ma show y'all that a move ain't, woo (Woo)
brasil
watch atlanta
Troy and Abed in the fooortieees!
I like the choreography. 🙂
🔥🔥🔥
"Do not make eye contact with the front row. They will take it as a challenge."
That's the 60's alright 😂
THATS WHY!!! bc this reminds me of "Banana boat" bc of 5 foot 6 foot 7 foot bunch! the foot in the title reminded me :')
the WHOLE album is so fucking amaaaaaaaziiiiinnnnnng
he literally released this in 2020 on an album that was taken off apple music named "00.00"
tha fuq is this. i can get social commentary from my toilet. talented dude misplacing it.
Luv him! 🔥💝💝💝
It's probably happened.
Welp cinematic
Donald Glover aka Childish Gambino is so multi talked.
Clean art
Cab Calloway reborn!!!
This is wrinkling my brain. And it's amazing
Unreal blocking. What a great song and video.
UR TALENT IS ON TOP UR BETTER THAN MICHEAL JACKSON UR RANGE IS AMAZING
This man is Brilliant 😮💨
For me, the song ends at 4:49 – I get having your mates on a track or that you've got a deal with a dude to add something to a song, but you'd hope the 'contractor' would at least try and add something that enhances the song or the theme. Not some generic mumble rap shit on the end with no tie in. Great song as always Dong Lover 🙂 <3
il ya des traitres dans l'autre équipe
I'm sorry. What
I can not not see Troy Barnes in this video.
GUESS WE HAVE tO HAVE A GUN GOING OFF IN EVERY VIDEO OF HIS NOW – "no reaction till we see blood" – j.cole reference
Love ya Donald…But…NAW!
That was a SHOW! This guy is the total package.
This is so good! I wonder why the video isn't getting the traction it deserves.
"OH NO" hahaha 😂
An extremely talented man, wow
It s like he got possessed by Beyoncé then nudy comes out casually. Onesto reaction: pretty damn entrattaining
what i got from it is that nobody cares about black on black killing
You ever realized the crowd wasn't feeling the music until somebody was killed by the artist. Sound familiar the reason these rappers talk about killing cause they want everyone to believe them and if you ain't killing or talking about killing its considered lame smh but people will still look you in the face and say it's not the devils work and it can be in many forms not just rap
Every time I see Gambino I think to myself "who is this guy and why are they trying to make him famous?"
Genius. Did you really get what this masterthinker is saying? Look beneath the surface. Think twice about what you really see. I had to …
That Young Nudy verse totally ruined the vibe of this song tbh. Super jarring hearing it at the end.
Its so beautiful 😢😮😅😊😊😊
There are so many messages here. First the lyrics. I may be misunderstanding them, but it sounds like he's describing his life and he was a coke dealer (moving that snow, riding the sleigh) and he protected himself with a gun (AK) and he chose that life because his dad wasn't around. He's putting serious lyrics to a jovial, silly song and a performance almost reminiscent of shucking/jiving or minstrelsy that its easy to miss. He's a musical buffoon.
However, the audience doesn't buy what he puts out until a guy tries to kill him and the murder attempt backfires. The audience laughs right past the violence and its only at that point they begin to care about the performance.
And I think that speaks to the hip hop industry today. We have so many buffoons nowadays who put hot garbage in their songs, the only reason they reach stardom is because they're either violent or live through violence and a lot of people find it "cool" that they kill someone or survive violence. We the audience are to blame for these new age clowns reaching stardom because we celebrate violence. Even if you survive violence, your survival should be celebrated not the violence itself.
I may not have the message exactly on point but this is what I'm taking from it.
QUINTAAAAAAA
Somebody been watching the blue hair girls do line dancing. 🖤🤘🏼🙌
Dude is super talented
My man having fun he hit the oj da juice man quarter brick half a brick whole brick ayeeee