{"id":1824182,"date":"2025-05-16T16:00:40","date_gmt":"2025-05-16T16:00:40","guid":{"rendered":"https:\/\/www.wacoca.com\/anime\/1824182\/"},"modified":"2025-05-16T16:00:40","modified_gmt":"2025-05-16T16:00:40","slug":"special-miss-camille-cerf-sylvie-tellier-a-lassaut-du-fort-%e2%8e%aefort-boyard-2015-e02","status":"publish","type":"post","link":"https:\/\/www.wacoca.com\/anime\/1824182\/","title":{"rendered":"SP\u00c9CIAL MISS ! Camille Cerf, Sylvie Tellier \u2026 \u00e0 l\u2019assaut du fort \u23aeFORT BOYARD 2015 E02"},"content":{"rendered":"<p><iframe loading=\"lazy\"  width=\"580\" height=\"385\" src=\"https:\/\/www.youtube.com\/embed\/NJIZX092FFY\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<br \/>\nSP\u00c9CIAL MISS ! Camille Cerf, Sylvie Tellier \u2026 \u00e0 l\u2019assaut du fort \u23aeFORT BOYARD 2015 E02<br \/>\n<br \/>\nI, Father Fouras, master of Fort Boyard, made a decision that seemed necessary. To defend my Boyars,<br \/>\nI was ready to do anything. I had placed<br \/>\nthe most dangerous obstacles in front of them. Behind every door of the fort,<br \/>\nhide the most odious traps. This was the last step of my plan. A long-planned plan. I was going to raise an army,<br \/>\nrecruit men with highly developed gifts, but also<br \/>\nthe greatest adventurers. These warriors trained for one purpose: to challenge them. We are here to defend<br \/>\na treasure that belongs to us. A wind of revolt blew over the fort. The confrontation can begin. I won&#8217;t let go while they<br \/>\ntry to rob us. You only need to answer<br \/>\none riddle. But how will it end? Tonight, a new era has begun. Look up. It&#8217;s heavy. It might be too much for a key. Good evening and<br \/>\nwelcome to Fort Boyard. To tell you the truth, in recent months,<br \/>\nFather Flora has almost caught a migraine several times from thinking about<br \/>\nthe new tests he could possibly invent to prevent our candidates<br \/>\nfrom seizing his treasure. This is how behind some of our<br \/>\ndoors, you will discover new universes like the bionic arena,<br \/>\nthe garage or even the Boyard Academy. A rather unusual academy where we<br \/>\nwill find totally crazy teachers like Eric Antoine, Vincent C. and the Bogdanoff brothers.<br \/>\nBut that&#8217;s not all. No, because Father<br \/>\nFoura doesn&#8217;t stop there. He also recruited the best adventurers from our candidates<br \/>\nfrom previous seasons . Yes, adventurers who will come to challenge<br \/>\nour candidates in order to prevent them from seizing the keys. This is how perhaps tonight,<br \/>\nour candidates will find ourselves facing \u00c9lodie L&#8217;Experte, Flexe Ibrahim<br \/>\nor even Fauve le Tigre Espe. And now,<br \/>\nsince we&#8217;re talking about the candidates, the easiest thing would perhaps be<br \/>\nto get to know them. Here is the portrait<br \/>\nof tonight&#8217;s team. Tonight Gold, the fort opens its<br \/>\ngates with five reins of beauty. Camille Saher, Miss France 2015,<br \/>\nwill be accompanied by four of her elders. The CEO of the<br \/>\nMiss France company, Sylvie Tellier, the sportswoman Lorri Tillmann,<br \/>\nMiss France 2011, and the Miss France 2006 and 2007, Rachel Legrain-Trapani<br \/>\nand Alexandra Rosenfeld. It is the comedian Jarry<br \/>\nwho will take care of these ladies. Together they will play<br \/>\nfor the foundation. We wish them good luck. But this year, Father Foura has planned<br \/>\na little surprise for our candidates. Yes, we&#8217;ll watch it together. Here they are. They&#8217;ll see what I&#8217;m made of.<br \/>\nGo! Go! Go. Go! Go! Go.<br \/>\nWe left. How are you.<br \/>\nWhat&#8217;s going on? In the air.<br \/>\nIt looks fine. Good evening. You thought you had entered<br \/>\nthe gates of my fort? Well, you&#8217;re wrong. I have prepared a little surprise for you. The door that leads<br \/>\nto my lair is now in the water. You don&#8217;t really think I&#8217;m<br \/>\ngoing to roll out the red carpet for those who plan to steal my treasure? Your quest will therefore begin with this first mission: to recover a medallion similar to this one. I placed it at the top of the gutter<br \/>\nthat is on the other side of the door you just came through. But be careful, only one<br \/>\nof you can access it. And none of you are even<br \/>\nclose to a small catch. It&#8217;s hard, it&#8217;s slippery. Hurry up, stopwatch. Once you have this medallion,<br \/>\nit will allow you to open the gate. You&#8217;ll have to be quick,<br \/>\nbecause every second that passes is time lost in your quest for the seven keys. Your adventure begins now. Good day. Come on, quickly.<br \/>\nCome on. Come on, I&#8217;m coming.<br \/>\nCome on, go, I&#8217;m coming. OK, agreed. GOOD. I see Jarry knows his classics. In this case, gallantry requires that we<br \/>\nboil ourselves for the girls. Come on, Jarry. Go faster. What&#8217;s wrong with him? You have to try<br \/>\nto move a little faster. Yeah. Come on, Jarry. Come on, Jarry. Come on. Come on, Jarry. Come on, Jarry.<br \/>\nCome on. How are you ? What cattle do you see? No, no, no, no, no,<br \/>\nThat&#8217;s a very bad sign.  Do you want to try Alex or not? Going back up is almost<br \/>\nimpossible in this case. This breath is hard,<br \/>\nit slips everywhere. Come on, Alex! Come on, be brave! Come on, Alex! Is she brave, Alex?  It has already been shown in the fort. She is not afraid of anything. That&#8217;s good, that&#8217;s good.<br \/>\nThat&#8217;s good, that&#8217;s good, that&#8217;s good, Alex. That&#8217;s great. Come on, Alex, that&#8217;s good. She arrived at the same place<br \/>\nas me and there, it was very slippery. Be careful, it&#8217;s going to be slippery<br \/>\nthere, as Jamy says.  That&#8217;s good. Yes, it gives rope. Alright. Perfect. Let it slide. Come on, quickly. Come on, let&#8217;s go. Come on, join them. Go up to the footbridge. They are coming. All right, let the party begin. That&#8217;s it. Yes, welcome, each of you stand<br \/>\nin front of your footprints. Very happy to welcome you. Welcome Camille, since<br \/>\nthis is your first time. Yes yes.  The whole team, you&#8217;re the only one who hasn&#8217;t<br \/>\nyet set foot on the fort, which is now the case. Now place your hands<br \/>\non the prints, you will be able to unlock all the cells in the floor. Together ! Together the doors!<br \/>\nPerfect. Okay, all the doors<br \/>\nare now unlocked. We will be able, I hope, to<br \/>\nquickly collect the seven keys that you will need later,<br \/>\nI remind you, to open the door to the Treasure Room.<br \/>\nWe&#8217;re not there yet. We will immediately ask for<br \/>\nPasse Mourail, pass Mourail. He scares me. You are very pretty, my dear. Oh, and what&#8217;s more, you saw, he has the&#8230; Yes, he has the thing. And then he runs like a miss. There are things I don&#8217;t understand<br \/>\nabout this show. Between Passe Mourail as Miss France<br \/>\nand Passe Partout, you have a hairstyle that is quite improbable. The welcome of the party. So, we go to the garage. The garage is a new challenge.<br \/>\nYou&#8217;ll see. Oh yes, a little surprise<br \/>\nfor this 26th season. Come on, let&#8217;s go, go everywhere. Be careful with your hair blowing in the wind,<br \/>\nbecause the grip is important. This is the garage door. It wasn&#8217;t the penitentiary door. But from a garage, an<br \/>\nAmerican garage type garage, you see 50s. It&#8217;s a very old plate,<br \/>\nit&#8217;s so cute. The only thing is, you still have to get<br \/>\nout and get out with a&#8230; Key. Who&#8217;s going to go? I&#8217;m useless with manual skills. This is Camille. Ah, Camille.<br \/>\nThis is for you. Well, your news.<br \/>\nOh yes. We&#8217;ll put you in the bar right away. Oh yes, they&#8217;ll put me at the bottom. In this garage, when you want to enter,<br \/>\non your right there is a tank. This tank is empty. And the only way to get the key back<br \/>\nis to fill this gas tank with this jerry can, which you&#8217;re now going to<br \/>\ntake in your little cars. To fill this tank with gasoline, you<br \/>\nwill have to go to the opposite side of the cell, where there is<br \/>\na gas pump. All right. To reach this location,<br \/>\nyou will need to sit in a driver&#8217;s seat, activate the starter<br \/>\nand thus access the pump. Come on, come on, come on, come on, come on, Where am I? I understand more. Look, there&#8217;s a can of gasoline, there. Come on, and you hang, and you hang. It&#8217;s good. Be careful, it will tip back. Yes, you&#8217;re getting closer.<br \/>\nWhere is this kiss? You&#8217;re going to tip over, you keep the can<br \/>\nand you try to leave it full. Be careful, because he&#8217;s going to turn around. We start, we turn around. Come on, quickly, quickly, quickly, quickly, It&#8217;s great Camille, what you&#8217;re doing is very nice. Great Camille,<br \/>\nwhat you&#8217;re doing is very nice. Great Camille,<br \/>\nwhat you&#8217;re doing is very nice. You&#8217;re the queen of the deboulet,<br \/>\nthat&#8217;s very good. That&#8217;s good, that&#8217;s good. It&#8217;s Lys Galipette in fact. This is the last one there. There is one round left. Come on, you have one more turn. One turn, one turn, it&#8217;s the last one. This is the last one there. Afterwards, you won&#8217;t have time anymore.<br \/>\nYou do it again. One last time. You have a big, crazy heart. Don&#8217;t be generous<br \/>\non the It&#8217;s the last round. You would have received it on the belly. Again, again, again, again. Come on, go ahead, rock. Come on, for France, to gymnastics. We&#8217;re not going to make a crumb. Come on. Little dumpling.<br \/>\nCome on. Camille, come on, last time. Come on, hurry up, hurry up,<br \/>\ndon&#8217;t lose one, don&#8217;t lose one. Look, ca<br \/>\nn&#8217;t she have the key? But no. Can you have it or not? Come on, get out, get out, get out, get out. It was great. I lost my shoe. You lost your shoe. The Cinderella syndrome. We won&#8217;t stay<br \/>\nin front of the garage any longer. We don&#8217;t have the first key. We will try our<br \/>\nluck with the next test. Because Mura didn&#8217;t even<br \/>\nneed to call you anymore. I don&#8217;t know what&#8217;s<br \/>\ngoing on this year, but&#8230; I like it better with the dress. Well yes, we like the dress. Oh yes, girls prefer it with the dress.<br \/>\nI am a very young princess. We&#8217;re leaving the catch-up prize.<br \/>\nAh, there you go. This is a cell where,<br \/>\nI hope, you should normally bring the key. Come on, yes, you need the key.<br \/>\nThe catch-up price. Come on.<br \/>\nThe center is for you. Come on, let&#8217;s go.<br \/>\nAre we buying back? Come on.<br \/>\nWhy not ? Come on.<br \/>\nHow do you describe Zero again? Oh yeah, zero key. Voyard, okay. For this ketchup-rie,<br \/>\nthe principle is simple: whoever enters this cell<br \/>\nwill see a push button on their right. Pressing this button<br \/>\nreleases the tomato basket, because to make ketchup we need tomatoes.<br \/>\nNo, that&#8217;s the basis. To get to this basket of tomatoes, you<br \/>\nunfortunately have to walk over a vat of ketchup,<br \/>\ncollect the tomatoes, return to the starting point, and load<br \/>\nthe machine, the ketchup, with these tomatoes. The more ketchup you produce,<br \/>\nthe faster the key will release.  So now who&#8217;s going? Passes everywhere. Come on.<br \/>\nLauryn. Lauryn.<br \/>\nLauryn. This is Sylvie. I love ketchup. But you&#8217;re going to be wonderful. No, I don&#8217;t say that there-<br \/>\nI don&#8217;t feel pretty anymore. It&#8217;s wonderful. Since a while ago,<br \/>\nshe thinks they are apples. These are tomatoes.<br \/>\nYou don&#8217;t know? You have pushed back the technique.<br \/>\nIt&#8217;s good. It&#8217;s good. Take a good look at the height. Take a good look at the height.  So.  Do great. Great, Sylvie, what<br \/>\nyou&#8217;re doing makes sense, there you go.  Go ahead, keep going. Two, three tomatoes,<br \/>\ngo ahead, be generous. In socks and all that. That&#8217;s good, you&#8217;ve had enough. Be careful, we take the same position.<br \/>\nCome on. You stay there.<br \/>\nCome on, go ahead. What you&#8217;re doing is great. Come on, go ahead.<br \/>\nIt&#8217;s good. Come on, you&#8217;re generous. It&#8217;s Sylvie.  Go<br \/>\nahead, Sylvie. Come on, let&#8217;s hurry,<br \/>\nlet&#8217;s hurry, you go back. Sylvie, hurry up. There you go, that&#8217;s great. Camber well, arch well, great. It just unmasted. Go ahead.<br \/>\nCome on, let&#8217;s go. Go! Go! Go.<br \/>\nIt&#8217;s good, in the mouth, that&#8217;s it. Take some bunches,<br \/>\nput them right in your mouth. Come on, come on Sylvie, breathe. Come on, go ahead. Come on, go ahead, we have plenty of time. Great, come on, that&#8217;s good. Come on. Come on, Mom. Come on, Mom, we&#8217;re proud of you. Come on, come on, it&#8217;s great. Go ahead, go ahead, make him some ketchup. He goes on the ground. He&#8217;s going to get you.<br \/>\nCome on, let&#8217;s start again. Come on, you have time to ruin<br \/>\nyour dispatch message. Come on, quick, quick. That&#8217;s fine.<br \/>\nIt&#8217;s good. Come on, take it, take it. We&#8217;re good, we&#8217;re good.<br \/>\nCome on, that&#8217;s good. Come on, quick, it&#8217;s good. This is the last passage,<br \/>\nit can be generous. No. Come on. There is no problem. You still have one in your mouth. You have one in your mouth,<br \/>\nmaybe it&#8217;s the one that will save him. Be careful.<br \/>\nGo ahead, put it in there. Put it in the button.<br \/>\nNo, there are two. It won&#8217;t make much difference.<br \/>\nThere are two of them. Be careful with the crip, it&#8217;s good. Come on, you have to bring it out.<br \/>\nCome on, come on, come on, come on, This is Sylvie&#8217;s picture.  Do you see that you made it?<br \/>\nPerfect. I hope that now the momentum is<br \/>\nthere and we will continue on this path. We are missing six more. Look what you did. No, stop. Yes, but look,<br \/>\nit gives it a little color. There you go, watch out, pass mureille. Now let&#8217;s move on to the next era. You see, you were great. And then this method<br \/>\nof abduction by the back. No, but I can do so much&#8230; The abandoned captain. We&#8217;ll go there immediately. I knew Captain Abandon. No, no, no. This one is good. And this one is going to<br \/>\ngive them a hard time. Okay, come on, it&#8217;s time to call them. I think we&#8217;re going to have a laugh here. The abandoned cabin, the door.<br \/>\nOlivier, Olivier. Good Olivier.<br \/>\nNo, but I can&#8217;t go there. It&#8217;s a shame, because that&#8217;s<br \/>\nnever been seen before. It&#8217;s true, it&#8217;s true. So, in fact, there will be a<br \/>\nphone call from Father Fourard, who will ask you a riddle. You just have to answer the riddle. Well, it&#8217;s the auri.<br \/>\nGo for it ! Yes, yes, that&#8230;<br \/>\nHow are you, my ten-mouse? Oh well, it&#8217;s<br \/>\nnice to see you again. Yes, it makes me happy too. What do you want to ask me there? Oh well listen, well I had a riddle,<br \/>\nwe&#8217;re sure you&#8217;ll get the riddle. Answers to your questions.<br \/>\nAre you ready? Yes, yes, yes, yes, yes, So, it is a partial and momentary forgetting. A partial and momentary forgetting. He is lost in a remote countryside. A partial and momentary forgetting.<br \/>\nHe&#8217;s a grinder! He&#8217;s a grinder!<br \/>\nHe&#8217;s a grinder! He&#8217;s a grinder!<br \/>\nHe&#8217;s a grinder! That you are moved to this extent.<br \/>\nSo, it&#8217;s an oversight&#8230; Is that okay? It&#8217;s whenever you want. A partial oversight, he doesn&#8217;t understand me. There he is, lost<br \/>\nin a remote countryside. Lost in a remote countryside. And if everyone can do their own,<br \/>\nFrom Normandy to the table, it comes to us. Who is he?<br \/>\nFrom Normandy to the table? So, I repeat, this is a partial oversight. Come on, last, last,<br \/>\nlast attempt. It is a partial and momentary forgetting. He is lost in a remote countryside. And if everyone can make their own<br \/>\nNormandy dish at the table, it comes to us. Who is he?<br \/>\nAnd you answer me. I don&#8217;t know, I don&#8217;t understand anything.<br \/>\nWell, well, it&#8217;s too late. Look, you&#8217;ve been<br \/>\nyelling all day. Well, yeah, well&#8230; I don&#8217;t know, I do<br \/>\nn&#8217;t understand what he&#8217;s saying. It was the hole, well of course. A hole, a memory hole,<br \/>\nwell, that&#8217;s like me. A godforsaken place, an isolated place. Everyone can make their own way. And then the Normandy hole<br \/>\nis the glass of alcohol in the middle of the meal to whet the appetite.<br \/>\nWell, heh heh heh heh. This key won&#8217;t fit<br \/>\nin the hole there, I&#8217;ll keep it. Ah, here is Passe-Bureaille. And Sylvie. We didn&#8217;t have it, we didn&#8217;t have it.<br \/>\nAnd we didn&#8217;t get there. We have a nice dance. Yeah, a nice plexiglass crisis. It gave something like that. No, but let&#8217;s all recognize<br \/>\nthat she was remarkably&#8230; Remarkable. Yes.<br \/>\nCotton swab now. So there&#8217;s no creature there. On the other hand, you will have to<br \/>\ndemonstrate balance and strength. We&#8217;ll see who the perforator chose. Goes through everything. Come on. Come on.<br \/>\nCome on. Come on. Come on, it&#8217;s the cotton swab. This is the cotton swab door. So the only thing<br \/>\nis, who&#8217;s going to go for the cotton swab? You know the principle: a beam,<br \/>\nsomeone on it. You have to succeed in bringing down<br \/>\nthe person who is on it. And then, of course, grab the key. And actually, it&#8217;s Jarry. Yes! I swear, I&#8217;ll<br \/>\ngive him a grinder. Jarry, you&#8217;re going to find yourself<br \/>\nface to face with Mister Boop. 400 kilos of pectorals approximately.<br \/>\nBam, look. Fake technique, man.<br \/>\nAttention, three, two, one. Come on, we believe you.<br \/>\nCome on, there. He left. Go ahead, Gary. You&#8217;re too fat. He&#8217;s smaller, he&#8217;s not afraid.<br \/>\nHe is not afraid. People, he is nice. It&#8217;s not that hard. Come on, yes! What&#8217;s up? I&#8217;m feeling bad. I like it. Kinder. Together, stronger than the strong. You know you know you&#8217;re the first one<br \/>\nto do it this quickly. But do you know why?<br \/>\nThe guy was impressed. Like that, hop, it&#8217;s Moon gold. Okay, listen, perfect.  That&#8217;s<br \/>\ngood. I got into the history<br \/>\nof Fort Voyage. Well yes, that&#8217;s what I did quickly.<br \/>\nOh yes, yes, you did it very, very quickly. Okay, pass for Ouch. Let&#8217;s keep it up, let&#8217;s keep it up. It&#8217;s about signing objects. It&#8217;s Mister Boom,<br \/>\nbut a different version. He is built. Amazing, you look amazing. I&#8217;ve never seen you so muscular. I love makeup for fake abs.<br \/>\nWell yes. And what are you talking about? These aren&#8217;t fake abs,<br \/>\nthese are real abs. Oh sorry, they&#8217;re real.<br \/>\nWell, we&#8217;re talking to the real one. We&#8217;re talking to the real one.  Do<br \/>\nyou need someone? Yes, very good.<br \/>\nCamille. Come on Camille. A handsome guy, a handsome guy,<br \/>\nI&#8217;ll take you with them. That&#8217;s not&#8230; That&#8217;s not what I just<br \/>\ntold everyone. Here we go.<br \/>\nHere we go. We go everywhere. I prefer to go that way. I&#8217;m so happy. Two keys, two keys. We&#8217;re not going to worry either. Come on. Oh no, this wind is beautiful. This is the door to the shelter. 24 hours a day, 7 days a week. You can imagine with everything we do<br \/>\nhere, it never stops, it&#8217;s going on , going on, going on. The only way to spin<br \/>\nthe drum in the machine is to have two candidates<br \/>\nenter it, who by spinning the drum<br \/>\nin the machine, turn the gauge green,<br \/>\nwhich allows the flow of liquid, which allows the elevation<br \/>\nof the key for its release. Who&#8217;s going to go? Alex, this is for you. The sportswoman.<br \/>\nRachel. Girls, like that. Three, the key, and you will run<br \/>\nvery slowly and for a long time. Come on, come on girls.<br \/>\nCome on, you put yourself in the middle. Come on, sync. Here we go, calmly. Come on, come on girls. Don&#8217;t put your hands in, just at the beginning. There you go, run slowly.<br \/>\nCome on, right. Look at your head to the side, girls.<br \/>\nGreat. We continue. Come on, faster. Just a little bit faster,<br \/>\ngirls, just a little bit faster. That&#8217;s great, that&#8217;s great. There you go, there you go, just a little bit more. Watch out Rachel, we&#8217;re coming to you.<br \/>\nRachel, don&#8217;t give up. Come on, that puts us back in the loop now.<br \/>\nCome on, Rachel. Come on.<br \/>\nIt&#8217;s for the foundation. Course.<br \/>\nCome on. Come on, let&#8217;s look at each other. Come on, come on, come on, come on,<br \/>\ncome on, girls, there. Come on, again, again. Come on, come on, grow up in front of the other,<br \/>\none foot in front of the other. You have to run faster, Rachel. Faster?  Just think, Rachel, that you&#8217;re being<br \/>\nchased by someone. You have to run faster. They are half the time,<br \/>\nfor someone. You&#8217;re halfway through. Faster, faster. Oh, Rachel, I beg you,<br \/>\ndon&#8217;t embarrass me, Oliver. This is nonsense.<br \/>\nCome on, let her go. Doesn&#8217;t matter. Rachel, she falls,<br \/>\nshe has game for Mathieu. Come on, Rachel. We&#8217;ll get them out. Come on, come on, come on,<br \/>\ncome on, no, no, no, no. They still are.<br \/>\nThey are not yet. They are not here yet.<br \/>\nThere is still room. Go! Go! Go. Get out, get out. Rachel. Look, you knew it a few<br \/>\ntimes, but it was pretty. You knew with dignity. You&#8217;re definitely strong. This is the test where you have no dignity. You fall. Listen, girls,<br \/>\nwe&#8217;re not going to dwell on this. Moureille! Moureille! You changed your outfit. You&#8217;re going to leave with Rachel.  Eh<br \/>\n? It&#8217;s at his T-shirt. We&#8217;re going to Cerse, Cers is fun. You want Laurier too. So you, I suggest you take care<br \/>\nof Rachel, and you want Laurier too. He really needs to learn these gestures with a gesture<br \/>\n, because I think these gestures mean everything. No, I discount everything.<br \/>\nThat&#8217;s very subtle. Jess, you were being very subtle.<br \/>\nCome on, Laurier. Rachel, follow past the low wall and we&#8217;re<br \/>\ngoing to Cers, towards the footbridge. We only have two keys,<br \/>\nlittle wolves, we have to boost ourselves. It&#8217;s still moving well, eh? Good.<br \/>\nStand there, stand there. So here is Camille ready<br \/>\nto get back on the hoop. Are you ready or not? Yes.<br \/>\nOur spirits are pushing back on you. It&#8217;s a slightly timid yes.<br \/>\nCamille&#8230; Because now I&#8217;m<br \/>\nalready starting to get cramps. Well, the principle is simple. We have the key here on the bridge. To get hold of it, you&#8217;ll need a code. This code will be made up<br \/>\nof numbers that you will find in the small compartments that are<br \/>\nfixed all around the hoop. So you will proceed like this<br \/>\nfrom the top to come back down. Camille, good luck to you.<br \/>\nAttention. 3, 2, 1, here we go. Come on, Camille.<br \/>\nCome on, Camille. Take your time to do<br \/>\nnever again, you are not afraid. No, no, no. Come on, let&#8217;s focus.<br \/>\nThink about the foundation. Come on, go ahead, Camille. Go! Go! Go. 4, period, period, period. Okay, great.<br \/>\nFour, and the first. Give the stems.<br \/>\nCome on, come on, come on, Camille. We&#8217;re not here to have fun. Come on, great. Don&#8217;t look down,<br \/>\ndon&#8217;t look down. No, but I&#8217;m not looking, everything&#8217;s fine. She is very, very pretty.<br \/>\nVery pretty. The stems also think the same thing.<br \/>\nCome on, come on, Camille. You do exactly as I told you. So you, as soon as you can bring her back. Period, two, period, period. Okay, two, four, two. Come on, go ahead, continue Camille,<br \/>\nwe&#8217;re wasting time. Yeah, it&#8217;s fine. Camille, Camille.<br \/>\nCamille. Don&#8217;t give up. So it&#8217;s going to be hot. Go! Go! Go. What ? There is no name, there<br \/>\nis no number. What do you mean there&#8217;s no number? There is an hour, sometimes<br \/>\nthere are hours. Go! Go! Go.<br \/>\nOf course, there is Camille. Don&#8217;t give up. Come on, don&#8217;t give up Camille.<br \/>\nCamille, don&#8217;t give up. Please don&#8217;t give up.<br \/>\nCourage. Now take your legs,<br \/>\ntry to pull yourself up with your legs to put your knee.<br \/>\nNo, you won&#8217;t make it. Yes, yes, she can climb.<br \/>\nCome on, go ahead, hoist three. Come on, go ahead, a pendulum. One, two. Don&#8217;t give up, Camille,<br \/>\nwe need her latest figures. Come on, hang on. Come on, Camille, what you&#8217;re doing is nice.<br \/>\nYes, good. Come on, it&#8217;s beautiful.<br \/>\nCome on, it&#8217;s beautiful, it&#8217;s beautiful. Hollow.<br \/>\nCamille, go ahead, I beg you. Think about the foundation. Think about the people who are fighting.  Do n&#8217;t give up. She is super strong.<br \/>\nShe is super strong. You&#8217;re going to get it, Camille. You&#8217;ll get it, go ahead. Don&#8217;t let go Don&#8217;t let go of me Camille. It&#8217;s too late. Damn. Unfortunately. Camille, we&#8217;ll see you in a moment.<br \/>\nYou let me go. You were absolutely remarkable.<br \/>\nLet go of everything, let go of everything. But unfortunately&#8230; Camille, Bravo. It&#8217;s good.<br \/>\nDo a swimming figure. There you go, look pretty.  So. Well, unfortunately, not enough time.<br \/>\nNot enough time. The key is lost. So we will leave again without delay. Rachel is with us. And now we&#8217;re going to<br \/>\nhead towards the spider. The spider is a bionic spider. It is a spider of a<br \/>\nrather special kind. Come on, go everywhere. Come on. And here is the next test. Ah, so beautiful! It&#8217;s beautiful! It&#8217;s unlikely.<br \/>\nSpider-woman. It&#8217;s unlikely.<br \/>\nWe need the key.  Do you know you&#8217;re beautiful like that?<br \/>\nIt&#8217;s true that she is pretty. You wear well.<br \/>\nHey, that&#8217;s your superhero right there. There you can&#8217;t cheat. The only thing is, for<br \/>\nthis spider test&#8230; I don&#8217;t want the spider. No.<br \/>\nThe spider, it&#8217;s giant, there. For what ? She is giant.<br \/>\nIt&#8217;s a giant spider. You&#8217;re going to have to go under the spider. Of course, the difficulty You see,<br \/>\nis that the bionic spider&#8217;s silk is extremely sticky. Collect the eggs one by one and<br \/>\nplace them in the basket. And once there are enough<br \/>\neggs, the key will be released and we can celebrate.<br \/>\nYes, it&#8217;s for us. Come on, go.<br \/>\nAttention. Together, stronger than three. Three, two, one, two, go. Come on, Laurie.<br \/>\nCome on, Loris. Come on, go ahead. There&#8217;s no time to be afraid, Loris. There is no time to be afraid. Come on, go ahead, move on. Go! Go! Go. It&#8217;s right in front of you, Lizez, in the small tub. But yes. Yes, it is. It&#8217;s good, it&#8217;s normal,<br \/>\nit&#8217;s the liquid, it&#8217;s mineral. Amniotic fluid. Amniotic. Come on, Laurie, you have several<br \/>\ntrips back and forth to make. You must not waste any time. Come on, Laurie, hurry up.<br \/>\nOn your left. On your left, you have a basket on the left. Come on, come on, come on,<br \/>\ncome on, come on, Louris. We don&#8217;t waste any time, nor return. Laurie, that&#8217;s great, but you need to<br \/>\nbe faster, freer. I know, it&#8217;s normal,<br \/>\nit&#8217;s the perversion of the game. But yes, it&#8217;s okay, it&#8217;s good. Try not to put your foot on the ground. Try to keep just your feet,<br \/>\nyour palms, and that you stick. Come on, go ahead, take it, hurry up. Hey, it&#8217;ll be a favorite<br \/>\nof hers to go out, tell her. Quick, quick, quick, quick, quick.<br \/>\nCome on, do it&#8230; Quick , quick, quick, quick,<br \/>\nquick, hurry up, sweetie. Hurry up, sweetie.<br \/>\nYou&#8217;re almost at the end of time.  Did she make a hole or not?<br \/>\nNo. She doesn&#8217;t have time,<br \/>\nshe doesn&#8217;t have time. The key, try to catch it.<br \/>\nTry to catch the key. No, she has to go out.<br \/>\nYes, yes, you can have it there. Quick, go ahead, take it, take it. Come on, Bravo! Well done !<br \/>\nWell done ! Well done ! That&#8217;s good, my dear.<br \/>\nIt sticks everywhere. It&#8217;s the mouse, but it&#8217;s filthy. Look, indeed, at the spider. That&#8217;s a tourist. We only have one. Attention, look, look.<br \/>\nPut that on the screen. They put themselves better on the fort that you<br \/>\ntry to plunder our treasure? Well, things are about to get serious<br \/>\n, because in the cage you are satisfied.<br \/>\nShe is beautiful. She is not happy.<br \/>\nIs she serious? Let&#8217;s go right away.<br \/>\nWhat is the cage? Here we go.<br \/>\nShe is not happy. But who is this woman with such a familiar face? The resemblance is uncanny. However, it is not Blanche, but her<br \/>\ntwin, condemned to live far from her. If Blanche is kind and benevolent,<br \/>\nher sister is only a nuisance, because the long isolation had<br \/>\ntaken away all her feelings. In his locked cage,<br \/>\nwe were all safe. But an old man on the fort<br \/>\nwas beginning to worry. We&#8217;re going to miss Boyard,<br \/>\nPasse-Moumereille. I fear the only<br \/>\nsolution is to release her. Is he right to make a pact with evil? I will set you free if<br \/>\nyou raise an army for me. And this milk in the dark,<br \/>\nshe had for years scrutinized everything. Well done, you. Well, nothing. Well done, Pascal. And thanks to its charm, it has<br \/>\ncaptivated the greatest adventurers. With her new soldiers,<br \/>\nshe is ready for combat. Coming across her in the cage can<br \/>\nonly be a bad omen. His name is red like blood. She is waiting for you now. This is the door that leads to the cage. This door is closed. The only way to open it<br \/>\nis to use one of your keys. Here is our little spider. But this key is doomed after that,<br \/>\ncan we no longer get it back? The problem is there. It&#8217;s just that the key<br \/>\nremains stuck in the door. But, but. The promise of being in the cage<br \/>\nis that we recovered three. It&#8217;s not bad. That&#8217;s not bad for us.<br \/>\nMaster key? Can we choose it? Wait, that wasn&#8217;t the one. The door is open, follow me. Thanks, master key.<br \/>\nWe only have two left. We are no longer at home. And then, we don&#8217;t get out<br \/>\nof the cage before three fries. I&#8217;m going to do my walk. What is this? We got it. We&#8217;ll both be at home. Low wall, give me access to the cage. Not this wallflower, actually,<br \/>\nhe loves to dress up. Well, welcome to the cage. In a moment, you will be able to<br \/>\nretrieve, as I told you, three keys because three face-<br \/>\nto-face sessions will be offered to you.  Let&#8217;s see right away<br \/>\nwhat Rouge has to tell us. Good evening and welcome to the cage. As you can see,<br \/>\nthere is no emergency exit. So here you are, facing your destiny. Even if your palms are sweaty,<br \/>\nit&#8217;s time to start the first face-off with the reaper test. In this face-off,<br \/>\nyou must place yourself on a block. The difficulty? Avoid a reaper that is going<br \/>\nfaster and faster. The first person to fall off the cone<br \/>\nor touch the ground loses the duel. And I&#8217;ve chosen a worthy opponent for you,<br \/>\nas you&#8217;ll be up against&#8230; Flexibreim. This dancer&#8217;s flexibility<br \/>\nis a real power of yours. Good luck. You will need it. Are we ready? Yes, I&#8217;m waiting for you. So Flex Ibrahim is the one against<br \/>\nwhom one of you will now try to win the first key. To do this,<br \/>\nI will ask Passe Mourail to give me the identity<br \/>\nof the first candidate. Flex Ibrahim. You will find yourself facing Alexandra. My pleasure. Opening the cage.<br \/>\nCome on, Alex. Come on, Alex.<br \/>\nCome on, Alex. Come on, Alex.<br \/>\nCome on, Alex. Alex.<br \/>\nAlex. Alex. Alexandra, facing flexibre.<br \/>\nAttention. Three, two, one.<br \/>\nHere we go. Come on, Alex.<br \/>\nCome on Alex. Look how he<br \/>\njumps around. This is pathetic.<br \/>\nThere is a lot of fat. That&#8217;s right, Alex. Come on, Fran\u00e7ois, go ahead. Be careful, it goes faster. That&#8217;s great Alex, that was great. He keeps the rhythm. That&#8217;s great. Come on, my dear. Come on, come on.<br \/>\nCome on. Great.<br \/>\nIt&#8217;s accelerating. Sylvie, she is<br \/>\nmaking a song. Yes, that&#8217;s it. Watch out, it&#8217;s getting faster and faster. That&#8217;s great, Alex.<br \/>\nTHANKS. Alex, that&#8217;s great, don&#8217;t give up. Great sportswoman, Alex.<br \/>\nWhoa! Whoa!<br \/>\nFocus, Alex. Put your feet well.<br \/>\nIt&#8217;s good. He&#8217;s doing it tiring, he&#8217;s going to blow. He&#8217;ll get tired at some point<br \/>\n, don&#8217;t worry. Don&#8217;t worry, Alex. Come on, make the<br \/>\nfoundation strap small, there. Come on, let&#8217;s go.<br \/>\nCome on, Alex. Well done, go on.<br \/>\nStop. Be careful, this is the time<br \/>\nof all dangers. Go ahead.<br \/>\nStay on the trail, Alex. Alex, stay balanced. Come on Alex, very good. Come on Alex, great.<br \/>\nCome on. Every time.<br \/>\nEvery time. Come on Alex. He won&#8217;t let you have it,<br \/>\nhe&#8217;s scared, he&#8217;s&#8230; There, he&#8217;s&#8230;<br \/>\nHe&#8217;s&#8230; He&#8217;s burning himself. Well done ! Well done ! Vaquer, Felix Ibrahim.<br \/>\nIt made a winner. He made a winner.<br \/>\nWell done. Winner, Flexibahim.<br \/>\nYou were fabulous. It was very good.<br \/>\nIt was great. Felix Ibrahim, second face to face<br \/>\nNow, let&#8217;s give you the floor. Already a defeat. It was a good try,<br \/>\nbut you didn&#8217;t stand a chance. Let&#8217;s see if you can do better. For this duel, I chose<br \/>\nthe beam event. In this face-off, you have to<br \/>\ncross a beam blindfolded. Your mission: be the first to ring<br \/>\na bell located in the middle of this beam. This duel is played in two winning rounds. Good luck. You will need it. So who will<br \/>\nface Flexibrahim now? Wall-walker, reveal to us the name<br \/>\nof the one who will be chosen. Not bad. Flexibrahim, you should like this. Sylvie is the one who is chosen. Sylvie, please come<br \/>\njoin us. You try to slide<br \/>\nthe beam over your feet. You tibe it in walk.<br \/>\nPut on your headbands. 3, 2, 1, here we go. Without the beam on your feet. Without the beam, it&#8217;s great. First point for Flexi Brahe. Reposition yourself on your feet. Brahim, Sylvie, to be your mother,<br \/>\njust think about this, trying to tell yourself: Can I be classy or not? You are older than me. For the moment, a round to zero<br \/>\nin favor of Flexibreill. New test.<br \/>\n3, 2, 1, here we go. Come on, come on, come on<br \/>\n, come on, It&#8217;s won. I&#8217;m sorry.<br \/>\nCops Ibrahim is the winner. Sorry. You can find your team again. We have zero keys so far. And I remind you that to get<br \/>\ninto this cage, we had to sacrifice a key. Oh my! So you have to do at least one<br \/>\nwhite operation, at least win the third key. Here is the next face-to-face,<br \/>\nproposed by Rouge. You&#8217;re not likely to get<br \/>\nto the treasure with so few keys. Your ordeal is almost over,<br \/>\nbut But before you leave us, you will have to complete the test. Rodeo. In this face-to-face,<br \/>\nsitting on a horse saddle, you must manage to keep your balance. The difficulty,<br \/>\nyour opponent&#8217;s saddle and yours are attached to the same tube and you<br \/>\nmust try to destabilize each other. The first one to fall loses the duel.<br \/>\nGood luck. You will need it.<br \/>\nThe sowing. Who is the one who has been<br \/>\ndesignated for this final test? The latter face to face.<br \/>\nI&#8217;m coming. It&#8217;s going to be a clash of the titans. Open the claw,<br \/>\nMasmurai, please. He is too strong, he beat. He beat a lot more muscle than you. Come on, get in. Go for it.<br \/>\nWe need to have the key, Brahim. I want the key too. Attention, Flexibrahim on one<br \/>\nside, Jarry on the other. This game is won in one winning round.<br \/>\nGood luck to you both. 3, 2, 1, here we go.<br \/>\nCome on, Jarry. Come on, come on. Come on, Jarry! You&#8217;re telling yourself that. Come on, open it. Yes, come on, let&#8217;s hold on.<br \/>\nHe&#8217;s going to fall. Come on, Jarry! Go on, keep it moving. He&#8217;s going to fall. Are we allowed<br \/>\nto slap him or not? No. No, don&#8217;t exhaust yourself.  Do n&#8217;t give up, don&#8217;t give up. Be careful, be careful. I&#8217;m going to let the girls go. No, no, no, no, no,<br \/>\nstop, stop, don&#8217;t give up. It&#8217;s lost. Flexibrahim winner. Flawless for flexibrahim. You didn&#8217;t succeed, unfortunately. Flexibrahim, marvel. Well done.<br \/>\nWithout fail. The gauntlet has just sounded,<br \/>\nwhich means the clock is ticking again and we now have 25 minutes<br \/>\nto collect a few more keys. We at the cylinder.<br \/>\nCome on, follow, go through. What is the cylinder again? You were formidable. Flexibreim. Oh, tell me, you&#8217;re not gentle with these girls, are you?<br \/>\nSorry, sometimes. Oh, no, no, no,<br \/>\nit&#8217;s perfect, don&#8217;t change anything. Oh dear, no, no, it&#8217;s thanks to people<br \/>\nlike you that we make things happen. Oh yes, I&#8217;m a fan. Well, so the cage episode wasn&#8217;t a success.  That has a good Let&#8217;s take a quick<br \/>\nlook at the situation, because girls, we&#8217;re laughing, we&#8217;re laughing. But meanwhile, time flies. Master key, how many keys? Only two. We&#8217;re more than halfway through. You&#8217;ve had a bad rap. So we&#8217;ll see who&#8217;s going to<br \/>\ngo on the cylinders. Camille. Camille, it&#8217;s the cylinders. You know it or not, but I&#8217;m telling you,<br \/>\nin this cell, the key is at the end of its rope. Finally, from the cylinder.<br \/>\nLike me. Come on, go everywhere.<br \/>\nOpen the door. Three, two, three. Wait, wait, wait, wait,<br \/>\nwait, I just want to tie my hair up.<br \/>\nGo ahead, strap yourself in. You take your time.<br \/>\nBalance. On a simple<br \/>\nFrench tail, that&#8217;s it. Come on, this is your key.<br \/>\nI&#8217;m going to tie myself up. Gently, on the hand. There, is it good? Come on, that&#8217;s good. 3, 2, 1.<br \/>\nLet&#8217;s go. Come on, Camille, this is your key.<br \/>\nCome on, let&#8217;s go.  Should I pass by?<br \/>\nCome on. It&#8217;s very pretty.<br \/>\nIt&#8217;s beautiful. You want to advise her.<br \/>\nShe needs to be advised. No, but look, bam. So you use your hands<br \/>\nto move forward and you stabilize yourself with your rims.<br \/>\nShe&#8217;s not bad, is she? That&#8217;s great. It&#8217;s good.<br \/>\nNo. No rush. Slowly, take your time.<br \/>\nAnyway, it&#8217;s good. Take your time.<br \/>\nIt fits the cylinder well. It&#8217;s clear.<br \/>\nThat&#8217;s&#8230; There you go.<br \/>\nAll in finesse. That&#8217;s great. Tell him not to lose sight of<br \/>\nthe key, it makes him&#8230; Don&#8217;t lose sight of the key,<br \/>\nkeep your eyes on the key to have a fixed point and maintain balance. What are you looking at everywhere? Stop. It&#8217;s embarrassing.<br \/>\nShe is very beautiful. She is beautiful, she is very feline. That&#8217;s good, keep your&#8230; There you go, stay calm,<br \/>\nyour balance. No, no.<br \/>\nIt&#8217;s perfect. She had&#8230; Yet, she had left well. She&#8217;s stressed out, I think. She needs to take her time. You&#8217;ve had too much. It&#8217;s really not easy. It&#8217;s spinning. It&#8217;s good. Push yourself with your feet,<br \/>\nhelp yourself to pace yourself a little. Look, she&#8217;s really good.<br \/>\nWithout sudden movement. She is very pretty. Watch out for the cider tail.  Come out , come out, sorry. It doesn&#8217;t matter. It was sublime. We went around the window. It had a look, it was magnificent. Yes, the look was beautiful. We ourselves were<br \/>\nimmersed in the interviews. It was mesmerizing.<br \/>\nIt was&#8230; Well, unfortunately, still no key. We have two, I remind you. We&#8217;re off to the museum without further delay.  Do<br \/>\nyou need someone? What do you want?  Do<br \/>\nyou have a little message? Ah, for Camille, it would be necessary. Oh, that&#8217;s so kind. A second bit. Should we read it now, perhaps?<br \/>\nBut then you&#8230; But I&#8217;m not going to tell you. Camille, you are the most<br \/>\nbeautiful girl in Fort Boyard. You want to be my girlfriend. That&#8217;s incredible. Bye. Good. Come on, I&#8217;m embarrassed, I&#8217;m embarrassed.<br \/>\nNo, I&#8217;m actually kidding. Come on, let&#8217;s go.<br \/>\nThe ocean. Come on, it&#8217;s L&#8217;Oc\u00e9ane.<br \/>\nWhat is the Ocean? It&#8217;s what ?<br \/>\nIt&#8217;s not that one. Come on, take this one. There you go, that&#8217;s it. Hey, what is that? This is the door to the Museum. Okay. Because here we have a Museum. Is this the gallop?<br \/>\nYes, it&#8217;s the gallop. The Museum of the Work? No, why are you<br \/>\nlooking at me when you say that? No, it&#8217;s not about you.<br \/>\nWhere are you going? No, in this museum, we have lots of things,<br \/>\nworks of art, very pretty things. The idea here is precisely not to<br \/>\nbecome a prisoner of this cell. So one of you will enter<br \/>\nthe cell through this ladder. Equipped with this. She is a Bantu. And this suction cup will allow you<br \/>\nto detect a glass display case in which there is a key. Because even though there are works of art<br \/>\nin there, what interests us all is the key. You will therefore have to be careful<br \/>\nto reach this key and to return with the key,<br \/>\nnot to fall, because all your progress will have to be done<br \/>\nlike a thief without touching the ground which is full of sensors and which,<br \/>\nif you ever come to touch it, will mean that in this case,<br \/>\nyou will be taken prisoner. Did you get the idea?<br \/>\nYes. Complicated. Who will go now? Alex. That&#8217;s good, Alex. You never manage to&#8230;<br \/>\nGo ahead, my dear. Good luck. And balance.<br \/>\nCome on, be brave. Come on, be brave.<br \/>\nCome on, we need the key. Three.<br \/>\nBut otherwise, the prisoners. Two. Go ahead, Jarry, give<br \/>\nsome good statements. How are you. Jarry, you&#8217;re the one giving the advice. Approach the door<br \/>\nbecause you already have. Come on. There you go down to the side.  So.  You&#8217;re on&#8230; There you go. Look, there&#8217;s a little step between<br \/>\nthe two of you that you can lean on. That&#8217;s great, Alex.<br \/>\nGreat. It&#8217;s very good.<br \/>\nGood. Go ahead, Alex, take it easy. It&#8217;s amazing. It&#8217;s amazing.<br \/>\nVisualize well. So, yes. There is the scale.  Go ahead, grab her.<br \/>\nIt&#8217;s good. Yeah, great. Bring it back with your foot. It&#8217;s worth everything, it won&#8217;t surprise us. No, no. Go ahead, go ahead. Yeah, great. Good, good. Now you lean on the chandelier. With your hands, The luster, the luster. No, you can&#8217;t ride on it. Yes, yes, she can play the hanging pig. She&#8217;ll do it,<br \/>\nshe&#8217;ll do it, she&#8217;ll manage. Go on Alex, keep it up, it&#8217;s good. What you&#8217;re doing is great. There&#8217;s no need to come back again. Go ahead Alex, don&#8217;t take too long<br \/>\nbecause you have to come back later. Use the little strapentin.  Have<br \/>\nn&#8217;t you seen it? We waste a lot of time on this. Alex, if you don&#8217;t feel it&#8230;<br \/>\nDon&#8217;t feel it&#8230; Don&#8217;t feel it. Not feet on the ground. Yeah, great. If she can&#8217;t do it, that&#8217;s fine. If you don&#8217;t feel like it, come back Alex. There isn&#8217;t much time left. You&#8217;d better come back.<br \/>\nCome back Alex. Come back, Alex, or<br \/>\nI&#8217;ll be imprisoned. Come back, rather.  Am<br \/>\nI getting out? Yeah, come back.<br \/>\nBut no. I said, never touch the ground. Never touch the ground. She is a prisoner. You&#8217;re a prisoner, Mich. Well, listen, I&#8217;m going to<br \/>\ntell you something, we&#8217;re in a bit of a bad way. Because I remind you,<br \/>\nwe only have two keys. We just lost Alexandra, so we have<br \/>\none prisoner and only two keys.  We need seven of them<br \/>\nto unlock the Treasure Room. No more mereuil! He&#8217;s here, he&#8217;s here.<br \/>\nStop. No no, your messages<br \/>\nare out of the question. That&#8217;s all over.  Do<br \/>\nyou have more than just love? Yes. No, now you demand<br \/>\nkeys in exchange for love. Yes, that&#8217;s it, demand the keys yourself. Yes, that&#8217;s right, I want to exchange a kiss. You see, as soon as we talk to him<br \/>\nabout an exchange, he leaves. He is very shy.<br \/>\nLet&#8217;s see the academy. We immediately head towards the lookout.<br \/>\nGo for it. Come on.<br \/>\nWe&#8217;re in trouble, we only have the keys. Imagine a school<br \/>\nwhere the extraordinary becomes ordinary. Ah but where to win the key<br \/>\ncan be a real glass. A school where the teachers are completely spectacular,<br \/>\nextraordinary. No, downright lunar. From magic to astronomy, what&#8217;s on<br \/>\nthe program today? With his mind<br \/>\n-boggling illusions, Vincent C. may surprise you. The bell will ring soon. Your class is about to begin. Good. It&#8217;s cool sometimes. In the middle of summer, it&#8217;s nice<br \/>\nto have a little coolness. Of course, yes, it invigorates.<br \/>\nOf course. So, we are at the foot<br \/>\nof the Boyard Academy where a slightly strange teacher is waiting for one of you. Who&#8217;s going to go there anyway?<br \/>\nWho is this? This is Rachel.<br \/>\nCome on, Rachel. Rachel, there&#8217;s no<br \/>\nneed to come back, okay? Absolutely. Yes, I know, but<br \/>\ndon&#8217;t pressure me. Come on, go ahead. Rachel, do it for<br \/>\nthe people you love. Why does my hand hurt? I massaged my hand,<br \/>\ntook medicine, put it in hot water, in cold water.<br \/>\nI did everything. There is one thing I haven&#8217;t done. Good morning.<br \/>\nHello, Rachel. I&#8217;m doing well ?<br \/>\nHow are you. Rachel, are you<br \/>\nfamiliar with acupuncture? I was able to do a little bit.<br \/>\nBecause my hand hurts. Right here, I don&#8217;t know if you can<br \/>\nsee my hand, right here, you can touch. It&#8217;s not bad. I believe that with acupuncture,<br \/>\nI can perhaps solve the problem. Rachel, no, it doesn&#8217;t work any better. Just remove the spike,<br \/>\nplease, Rachel. Remove the pick.<br \/>\nNo, no. Yes, take it off.<br \/>\nNo. Acupuncture doesn&#8217;t work either. My hand still hurts. Hello Rachel.<br \/>\nGood morning. Welcome to the Boyard Academy.<br \/>\nTHANKS. To win a key,<br \/>\nit&#8217;s not complicated. I&#8217;ll do a magic trick for you. If you can tell me how<br \/>\nI did my trick, I&#8217;ll give you a key.<br \/>\nPerfect ? Yes. Rachel, I&#8217;m going to ask you to take<br \/>\na pencil, any size. You &#8216;re going to put it in my hand. I must not see the color<br \/>\nyou give me and you will hide the green behind your back.<br \/>\nAll right. We&#8217;re going to put a pencil in my hand.<br \/>\nPerfect. We agree, Rachel,<br \/>\nthere&#8217;s no way I can tell what color you turned. I&#8217;m going to ask you to concentrate.<br \/>\nCome a little closer. Focus.<br \/>\nBut I have a better idea. Give me your hand, it&#8217;s good.<br \/>\nI&#8217;ll take your chicken like this. I will name the colors. Tell me nothing,<br \/>\nno signs, no clues. Yellow, no. Brown, black, blue, red. You signaled to the blue. No, I have the red one. Is that red?<br \/>\nYes. The red. Rachel, how did I<br \/>\npull off my magic trick? I&#8217;ll give you some clues. Okay? Did I use a mirror to<br \/>\nsee the pencil you gave me? No. Did I just scratch<br \/>\nthe end of the pencil with my fingernails? When I took your shot, did<br \/>\nI feel my heart rate increase when I said red<br \/>\n, or was Passe-Mureille hiding under the table<br \/>\nand when I said your color, he hit me on the leg? Your choice, Rachel. I would say it&#8217;s passable.  Wall<br \/>\n-passer? So, we&#8217;ll try it again. You have the red pencil, did<br \/>\nyou put it in my hand? Yes. We agree that with a mirror,<br \/>\nfor me to be able to see in my hand, I have to be about like this, Rachel. I think you would have seen the mirror.  Quite. Perfect.<br \/>\nNow, Passe-Mureille. If you put it under the table,<br \/>\ncan you see the color in my hand?<br \/>\nNo. No ?<br \/>\nThank you Passe-Mureille. It&#8217;s by scratching. The secret was in scratching. Just like that, when you gave me<br \/>\nthe pencil, I scratched with my fingernail, I &#8216;ll show you, and it makes a mark. And when I said to you, &#8216;Come closer,<br \/>\nRachel, and concentrate,&#8217; that&#8217;s when I looked at the tip of my fingernail. No, you have to&#8230; Come on, get out, Rachel. I am disgusted.<br \/>\nPencil, pencil. Am I the most handsome?<br \/>\nAt least we kept the color. And the key too.<br \/>\nSO ? So, so?<br \/>\nNo, stop. What was that?<br \/>\nWhat was that? It was with colored pencils, I<br \/>\nhad to guess his trick. But did you get over it when he<br \/>\nasked you to color or not? No, no, no, no, that wasn&#8217;t it.<br \/>\nI said not to go over. Rachel, I told you, you shouldn&#8217;t have<br \/>\nneglected yourself at all, but it doesn&#8217;t matter. Oh, I see you&#8217;re getting goosebumps.<br \/>\nWe won&#8217;t be long. Yes, go.<br \/>\nLet&#8217;s go.  Wall- passer.<br \/>\nIt&#8217;s because of Passe-Mureille.  Wall- passer.<br \/>\nWas he there again? Well yes.<br \/>\nWho ? It was Passe-Mureille who<br \/>\nmisled me one day. It&#8217;s you who&#8230; It&#8217;s you, it&#8217;s because of you that she<br \/>\nmade a mistake one day.  Did you get it wrong?<br \/>\nOh, at the casino. Goodbye Passe-Mureille. Goodbye to the casino.<br \/>\nGo! Go! Go. What drives?<br \/>\nOh my! What&#8217;s the casino again? I know he doesn&#8217;t take me, I know. Yes, that&#8217;s true. Easy, are you okay? What&#8217;s up? They had Ah well there you go,<br \/>\nwell I was sure of that. That&#8217;s always<br \/>\nthe same thing like a&#8230; Oh okay, well done,<br \/>\nyou gave a scare there. Well, don&#8217;t you dare do that again.<br \/>\nNot this wall. Come on, here.<br \/>\nNo, well&#8230; I didn&#8217;t see myself. This is the case&#8230; Ah, the Fort Boyard casino.<br \/>\nHave yourself read. And you will see. Oh, how beautiful!<br \/>\nTHANKS. How beautiful!<br \/>\nTHANKS. Oh, how beautiful! Oh yes, really Olivier, you<br \/>\nreally are the most handsome, there&#8217;s no denying it. Thank you, you are kind. I came to get a little<br \/>\nmoney because I went to buy you the ingredients for<br \/>\nearlier, but they were really awful. You have no idea. You&#8217;re going to need a little<br \/>\nmoney, so I&#8217;m going to help you out a little.<br \/>\nHere, my dear, here, here, take this. And hop, I look at the rec.<br \/>\nThere you go, thank you very much, good luck. Always so generous,<br \/>\nWilly Rovelli, that&#8217;s what comes. So, the casino. The idea is therefore the following: the person<br \/>\nwho is chosen will have to sit on an armchair,<br \/>\nturn around after having activated a handle on the right side. Then rush<br \/>\nto the token machine. As soon as the tokens start to fall,<br \/>\nfill the column of tokens by returning to the chair, and so on,<br \/>\nuntil the key is released. Claire, sincerely. Yes, it goes well with your eyes.<br \/>\nWell, that&#8217;s good. I love the casino, too. Come on, come on. Come on, come on. Together, stronger than the strong. And what do we do with the equipment?<br \/>\nCome on, I&#8217;m coming. You bring back the key.<br \/>\nCome on, there are only three of us. Focus.<br \/>\nTwo. When you turn, try to look.<br \/>\nAh, did you catch anything or not? I&#8217;m starting to doubt.<br \/>\nIt&#8217;s perfect. Come on ! I&#8217;m not losing my way. Quick, quick, quick. I mustn&#8217;t shout. Oh, that&#8217;s good. Come on, behind you,<br \/>\nbehind you, go back. Go to the bottom and it&#8217;s<br \/>\nfull, full, full. I&#8217;m coming.<br \/>\nCome on, come on. Course. Come on, do it again, do it again. Course.<br \/>\nCome on, sit down. Come on, one more time. As soon as he gets out of the chair,<br \/>\nyou&#8217;ll be heading straight for the casino. Don&#8217;t film me, don&#8217;t<br \/>\nfilm me, don&#8217;t film me. Come on, come on, Martin. Come on, come on, come on, come on, I&#8217;m coming. Go! Go! Go. Come on, go ahead.<br \/>\nCome on, run. Go! Go! Go. Come on, come on, come on, come on,<br \/>\ncome on, try to catch the coin. No, no, no, no.<br \/>\nPass it. No, no, no, no, no.<br \/>\nGo ahead. Come on, come on. I&#8217;m going to throw up, I swear, very good. No, no, no, no, no,<br \/>\nCome on, come on, come on, come on. Behind you.<br \/>\nCome on, run. Run, run. Go ahead.<br \/>\nGo! Go! Go. Try to grab the key,<br \/>\nit&#8217;s not far away. Come on, come on, yes. Perfect.<br \/>\nWell done. Well done.<br \/>\nPlease don&#8217;t throw up on us. You have to keep your distance. You&#8217;re taking risks there.<br \/>\nIt&#8217;s spinning. Well done, well done.<br \/>\nBottle opener. Ouch, Doctor Please. Passe-bureille, give me the character. And now we go to the fight. Yes yes.  Do<br \/>\nyou need&#8230; More?<br \/>\nBut say then. Camille is cheating on himself. Yes, indeed.<br \/>\nCome on, Lorille. Well, we&#8217;re going to fight. Let&#8217;s go. Go back to the other corner. I must not shout. That&#8217;s good, that&#8217;s good, go ahead. So here<br \/>\nwe are going to access a place that is sometimes feared,<br \/>\nbut sometimes also loved, sought after, especially by those who seek, of course,<br \/>\nto have soft skin, because the mud, especially the mud here,<br \/>\nis a quality mud. So, the fight that will go there, the<br \/>\nperson who was chosen, for a long time dreamed of<br \/>\nmaking this star. It&#8217;s over. A candidate who, it seems,<br \/>\nhaving come here often, always regretted not having been<br \/>\nchosen for the fight. It&#8217;s true.<br \/>\nAnd so, indeed, it is Sylvie. And there, I have the impression because&#8230;<br \/>\nIt&#8217;s good. No, she&#8217;s trying. Now, I&#8217;ll tell you, it&#8217;s not<br \/>\njust a pleasure walk. You really need to come back with the key.<br \/>\nYeah. She&#8217;ll get there.<br \/>\nGive to Lydie Bou. Sylvie will now try to fight.<br \/>\nAttention Sylvie. Three, two, one.<br \/>\nLet&#8217;s go. Come on Sylvie, come on.<br \/>\nCome on Sylvie. Come on Sylvie.<br \/>\nWe&#8217;re going to be scared. Come on Sylvie, show me. Come on.  Do you see the key, Sylvie?<br \/>\nDo you see her? Don&#8217;t let yourself get stuck in the mud, Sylvie.<br \/>\nYeah.  So. Come on, work like a strategist. Great, that&#8217;s right.<br \/>\nThat&#8217;s good, Sylvie. And you push her.<br \/>\nGrab the key. Push her out, she must<br \/>\nn&#8217;t grab your arms. Grab the key. Get up, stand up straight.<br \/>\nCoward. Apperative.<br \/>\nThere is a drape. Go ahead.<br \/>\nGet back on top, Cindy. Don&#8217;t pay attention<br \/>\nto her after tackling. Go ahead, everyone run to his side. Grab the key,<br \/>\nignore it. That&#8217;s a proper tackle.<br \/>\nDon&#8217;t let yourself be dumped. You really need to<br \/>\nget angry. Don&#8217;t leave her stuck, don&#8217;t<br \/>\npay attention. She hit children.<br \/>\nTake her panties off, go ahead. You fell on your pants. That&#8217;s what I do. Come on. Push there, push there, push there. Come on.<br \/>\nAgain. Look at the key. Go ahead, push there, push there right now. Grab his feet, let them pass. Yes, yes, yes, very good. Come on, come on, Sylvie. Stand up, Sylvie, come on. Come on, fight. Come out, Sylvie, come out, now. Come out, Celine. Come out, No, no, no.  Get out<br \/>\n. Grab the key, get out.<br \/>\nCome on, above you. Quick, quick, quick, quick, quick,<br \/>\nIt&#8217;s huge, four keys. Four keys, do you realize? Oh dear, not again.<br \/>\nCome on, next test. We&#8217;re going to the submerged cage.<br \/>\nOkay. Submerged cage.  Do<br \/>\nyou feel like this is going to be good? I feel that there is the four keys.<br \/>\nYou have a good feeling. There, it is a cage which is submerged. Otherwise, it would be called the shutter cage.<br \/>\nThe cage where? The literate cage. Anyway, here we go. Sylvie, you&#8217;ll join us in a moment. It&#8217;s in theFood is good for the skin. After ketchup, food is good. Whoa, hello Lorille.<br \/>\nLorille? My dear Lorille. Why do you say that ?<br \/>\nI don&#8217;t know. I was convinced that you were good<br \/>\nat swimming and all that, and that you loved it. Yes, but getting into small ones&#8230; Oh no, they&#8217;re not small ones, you&#8217;ll see.<br \/>\nNo, they are not small. You&#8217;ll see, the \u00c9couty is rather&#8230; Goes everywhere, it&#8217;s<br \/>\nrather wide, the ecouty. No, you&#8217;ll see, you&#8217;ll<br \/>\nbe in total freedom. So, you&#8217;re going to enter a cage,<br \/>\nwhich is submerged, and there, you&#8217;re going to see yourself unbolted. Because it&#8217;s the only one We&#8217;ll try<br \/>\nby unbolting it, to reveal a three-digit code. You shout this three-digit code<br \/>\nto your team, and we get the key. You can shout it, of course.<br \/>\nPasses everywhere. Proceed.<br \/>\nOpening the earpiece first. Here we go. Watch out for the fish. Attention. Come on, watch out, three, two.<br \/>\nCome on, Loris.  Go ahead, Loris.<br \/>\nHere we go. Come on, Loris, that&#8217;s good. You came down well. Come on, go ahead, right now. In the water.<br \/>\nCome on, come on. Come on, head underwater.<br \/>\nWe force. We can&#8217;t see anything.<br \/>\nNo, it&#8217;s good. Great. Go back into the cage at the very bottom.  So. Go ahead, it&#8217;s good. Tell him, we can just speed up. Speed \u200b\u200bup, hurry up. There, she must be in the workshop.<br \/>\nHurry up. There you go, that&#8217;s good.<br \/>\nTake both down. There you go, great, great, great. That&#8217;s good, that&#8217;s good. Come on, come on, come on, hurry up<br \/>\n, hurry up. Hurry up, Elodie.<br \/>\nShe&#8217;s underwater, she can&#8217;t hear you. Come on, H\u00e9lorie, that&#8217;s great. Come on, Loris. Come on, darling, unbolt it. There you go, that&#8217;s good. Come on, come on, come on, again, again. Tell me, are you driving well? Yeah, she&#8217;s great, she&#8217;s great. No, it&#8217;s actually very, very good. Come on, Loris, that&#8217;s good. That&#8217;s great, Lor\u00e9. Perfect.<br \/>\nCome on. It can only unbolt one side, actually.<br \/>\nNo, both at the same time. I put one on top and one on the bottom. It&#8217;s good. It&#8217;s all bolts. All the way down. No, it&#8217;s him at the very bottom. At the very bottom, at the foot. All the way down. There&#8217;s one at the very bottom.<br \/>\nCome on, hurry up. There&#8217;s one at the very bottom. Come on, the rest. Come on.<br \/>\nFive. Yes, that&#8217;s good, five, no. I remind you that<br \/>\ndespite everything, time is running out, and if the key is sacrificed,<br \/>\nwe will be in a real mess. Hurry up.<br \/>\nCome on. Oh there, there, there, there, there , there, Well done, Lorri! You know, so&#8230; But I did my best. Listen, line up, we told you to line up. You have no right to spit on me. That&#8217;s good, that&#8217;s good.<br \/>\nBalance. Watch your head. Come back soon.<br \/>\nLet&#8217;s celebrate Lorri.  So.  Well done Lorri. Well done. My sister.<br \/>\nYou are too strong. Well done.<br \/>\nIt was great. It was great.<br \/>\nOh my! Cool.<br \/>\nIt was cool. I was afraid I wouldn&#8217;t have time.<br \/>\nYes, yes. Make it steeper. It really came down to two seconds.<br \/>\nIt&#8217;s true ? I swear.<br \/>\nWe go to the jars. I felt like I&#8230;<br \/>\nNo, it&#8217;s Jarry. Come on, come on, come on, come on, come on, we&#8217;re off to a good start. The jars, what I like,<br \/>\nis Jarry who says: We&#8217;re off to a good start even though we&#8217;re almost<br \/>\nat the end of time. But hey, you mean we&#8217;re<br \/>\nalmost there? No, we only have your key,<br \/>\nwe can have five. We got off to a very bad<br \/>\nstart, for example. We&#8217;re off to a bad start, yes. So here, for the jars,<br \/>\nwho&#8217;s going to go? Camille.<br \/>\nIt&#8217;s true ? Cool.<br \/>\nAh good ? You got that?<br \/>\nYes, I want to. Ah good ?<br \/>\nPerfect. So, you know, jars in front of you. You have to scratch, scratch, scratch. Find the key, you come back. And we&#8217;ll have five keys,<br \/>\nwhich is already not bad. Attention, three, two, one. Come on, come on, let&#8217;s go. Oh my, that&#8217;s nice of you<br \/>\nto shower me like that. Oh well, in my face too.<br \/>\nCome on. Ouch, but that stings. What are these things?  It&#8217;s okay in the back, huh. I don&#8217;t feel anything, I say to myself, I do<br \/>\nn&#8217;t know if it&#8217;s a mouse or a key. Come on, let&#8217;s move on if there&#8217;s nothing. Not the key.<br \/>\nThat&#8217;s a look! This is not good. It is necessarily in one of the genres. Yes, she has it. Yes! Alright ! What is this ? What are you doing?<br \/>\nIt&#8217;s blood. Is it blood? Some kind of agronadine thing,<br \/>\nright? Come on !<br \/>\nYou can rinse your arm there.  The bell just rang. I have the key!<br \/>\nYou did it! For the keys. Which means this is the last<br \/>\nkey we were able to recover. So five keys. So we can<br \/>\ncount five keys. We are missing two.<br \/>\nYeah. So, I remind you, it is<br \/>\nat the judgment that we will be able to recover these two missing keys.<br \/>\nOkay. We&#8217;ll go<br \/>\nstraight to the judgment. It is the white judge<br \/>\nwho will receive us.  Do you know her a little,<br \/>\nthe white judge? Here we go. Not bad, huh? Come on, babe.  A long, long time ago, there<br \/>\nlived on the earth the most beautiful of queens, she gave birth to twin girls who<br \/>\nswore eternal love to each other as they grew up. But the cruel day came when the throne<br \/>\nwas to go to only one of them. To find out who would become the sovereign,<br \/>\nshe had to fight in a cage in a duel. If, unfortunately, one of them were to get<br \/>\ninjured, she would have to give up the coveted crown. While one, out of love,<br \/>\nrefused to fight, the true nature of the other finally revealed itself. Not wanting to confront her sister,<br \/>\nthe first one moved away. Ready to face her sister,<br \/>\nthe second one got injured. There are no rewards<br \/>\nwhen a heart is broken. Since that day on the throne,<br \/>\nBlanche feels trapped. Since that day, locked away,<br \/>\nRouge has been thinking about revenge. The purest of them<br \/>\nyou will meet. And if unfortunately, in front of her,<br \/>\nyou fail, this painful story will come back to haunt her. Because until the end,<br \/>\nyou will be imprisoned. Key. The key.<br \/>\nWe will win. We will win. All the keys. You don&#8217;t get too upset either,<br \/>\nbecause you saw that the start was very slow.<br \/>\nBut we&#8217;re diesel. Ah Sylvie.<br \/>\nAh. Perfect.<br \/>\nAnd Laurine? It&#8217;s hot here.<br \/>\nI won a key. Oh yeah?<br \/>\nIn the tanks. Well then, I remind you that you<br \/>\nhave five keys, and who do we need? Seven.<br \/>\nWho are we missing? Two.<br \/>\nGOOD. Like that. Which means we&#8217;re going to get<br \/>\nthose two keys back with the judgment and the white judge. I also remind you that you<br \/>\nhave a prisoner, Pierre. Alexander.<br \/>\nAlexander. So, who will now present themselves<br \/>\nto the white judge for the sixth key? Since I missed it,<br \/>\nI missed two keys, so I&#8217;ll try to make up for it this time. It is imperative that you<br \/>\ncome back with us, that you succeed in the challenge that will be launched upon you. I agree, we hadn&#8217;t talked about it,<br \/>\nbut are you sure you&#8217;re going to go? No, but you mustn&#8217;t lose, because we ca<br \/>\nn&#8217;t afford to lose. I request the airlock to be opened.<br \/>\nWe win a key, so it&#8217;s true. We need to take on the challenge. Come on, Rachel, please. Come on, Rachid.<br \/>\nCome on, Rachid. I&#8217;ll bring that one back. 3, 2, 1.<br \/>\nTogether. We are stronger. And here is the key. It&#8217;s stronger than the strong. The sixth key now comes to<br \/>\nbe given to you. Judgement.<br \/>\nMake way for Judgment. Good evening.<br \/>\nGood evening Rachel. You are very beautiful. That&#8217;s nice of you too. But of course Mister Boos would be<br \/>\nhappy to spend some time with you in the prisons? No. It all depends on you. I&#8217;m going to<br \/>\npresent you with a dilemma.  Do you want a test<br \/>\nof luck or agility? What do you choose?<br \/>\nAgility. So be it, here is your judgment. The three levels. For this test, the candidate must<br \/>\nroll a ball along a three-level platform. Its objective: to drop a ball<br \/>\ninto the hole located on the lower level. If the ball falls on the ground,<br \/>\nit is a miss. The candidate has three balls<br \/>\nrepresenting his three attempts. If he manages to put one of the three<br \/>\nballs in the hole, he can rejoin his team. But if he fails three times,<br \/>\nhe goes to prison. Rachel, an evening with Mister Boo<br \/>\nor joining your team. Everything will be decided now.<br \/>\nGo for it. First try. Take your time. Second try. Mister Bou is already preparing your bunk.<br \/>\nGo for it. Third and final attempt. Relax and don&#8217;t rush,<br \/>\nRachel. She&#8217;s a prisoner, we lost. Mister Bou,<br \/>\nplease take her to her prison. Okay.<br \/>\nGood luck. THANKS. And there it is, lost. No, she has&#8230; There we have the sixth key. Thank you Rachel.<br \/>\nThank you Rachou. It is a priceless sacrifice.<br \/>\nWhich is priceless. And that&#8217;s&#8230; Very good.<br \/>\nWho is next to sacrifice you?  Are you going to sacrifice yourself? So now,<br \/>\nwho for the seventh key? So I was very spoiled<br \/>\nby the fort, I had the food. So, I think for this<br \/>\nseventh key, I will sacrifice myself. It&#8217;s true ?<br \/>\nI&#8217;m sure. What do we tell your<br \/>\nparents if you stay in prison? That you loved them.<br \/>\nThat you loved them, okay. We messed up the battle cry a bit<br \/>\nearlier. Yes, we did it again.<br \/>\nCome on, be careful. Three, four. Together, stronger, stronger. A little more rehearsal and we&#8217;ll see it,<br \/>\nwe&#8217;ll get there by the end of the evening. Let&#8217;s go.<br \/>\nIt opens. And the key?<br \/>\nAnd the key first. The key after.<br \/>\nAh good ? Oh yes.<br \/>\nAh, businessman. I loved you.  See you<br \/>\nsoon, Mom.  See you soon.<br \/>\nNo, no, you&#8217;re coming back to us. Yes, you&#8217;re coming back. Here is the seventh and final key. THANKS. And now, time for judgment. Hello Sylvie.<br \/>\nHello Blanche. Your generosity is a credit to you. Let&#8217;s hope you don&#8217;t<br \/>\nend up I&#8217;m not in jail though. I&#8217;m not very agile. I&#8217;m going to<br \/>\npresent you with a dilemma.  Do you want a test<br \/>\nof luck or agility, Sylvie? I think I&#8217;m even less<br \/>\nlucky than agile, so I&#8217;ll choose agile. So be it, here is your judgment. The board. For this test,<br \/>\nthe candidate must place a ball at the end of a board. His goal? Lift the board using the handles<br \/>\nand balance the ball to drop it into the basket at<br \/>\nthe other end of the board. If the candidate drops the ball<br \/>\non the ground, it is a failure. The candidate has three balls<br \/>\nrepresenting his three attempts. If he manages to knock one of the three<br \/>\nballs into the basket, he can rejoin his team. But if he fails three times,<br \/>\nhe goes to prison. Alexandra, then Rachel,<br \/>\nit would be unfortunate for your team to have three prisoners, wouldn&#8217;t it? It&#8217;s true. We are reckless,<br \/>\nnot always very active, but the priority is to have the seven keys. Here you have three tries. I&#8217;ll let you start, Sylvie. What agility! But congratulations! You can join your team.<br \/>\nTHANKS. Good luck. Hoping to see you again<br \/>\nsoon, Charlotte. My pleasure. Yes, yes, yes, yes, yes, It&#8217;s good! Who is the best?<br \/>\nIt&#8217;s horrible. I would go too fast to zero. We now have two prisoners<br \/>\nbecause unfortunately, Rachel&#8230; She was our buildee.<br \/>\nStayed. Alexandra has been a prisoner<br \/>\nfor a while. Now we will see what<br \/>\nwill happen for his release. The only way for Alexandra to<br \/>\njoin you is to succeed, as you just did, in the test<br \/>\ngiven by the white judge. Let&#8217;s see about that.<br \/>\nWe need five. Time for judgment. Mister Bou, please. Please lead Alexandra in front of me. Good evening.<br \/>\nGood evening, Alexandra. Good evening, sorry. Thank you Mister Bou. How did you experience your<br \/>\ntime in prison, Alexandra? This stay was very difficult. I&#8217;m going to offer you something. Find Rachel in the prisons<br \/>\nor return to your team. Finding my team, of course. It all depends on the choice you make. I&#8217;m going to offer you a test<br \/>\nof luck or agility. What do you prefer?<br \/>\nI&#8217;ll choose luck. So be it, here is your judgment. The wheel of destiny.  Will our prisoner&#8217;s luck<br \/>\nfinally change? To find out, the candidate will have to<br \/>\nchoose between the color white and the color blue. The prisoner has<br \/>\nonly one bullet. If the ball, once thrown,<br \/>\nstops on the stated color, the candidate is released. Otherwise,<br \/>\nhe goes back to prison. White or blue?<br \/>\nWhite. May luck be with you. Go for it. Congratulations, you can join your team. THANKS. Good luck. Alexandra, Alexandra, Alexandra, Alexandra, Alex, Alex, Alex, Alex, Good! So here we are at seven keys, five in the team, since as you know, Rachel, unfortunately,<br \/>\nis taken prisoner. We can now<br \/>\nbegin the search for clues. Ah, I&#8217;m told that Father Fouras<br \/>\nhas a message for us. Listen. Congratulations ! You have successfully obtained all seven keys. But to find the code word that will<br \/>\nbring down the Boyards, the task will become more complicated.<br \/>\nNo, no. To get a clue,<br \/>\nyou will have to overcome your peers and your greatest anxieties. I have investigated each of you. So, if you&#8217;re afraid of heights&#8230; I&#8217;m really excited! Or if little creatures scare you&#8230; It&#8217;s disgusting. Count on me, because I know. You will have to be brave<br \/>\nor say goodbye to my treasure. Your nightmare begins now. You have 30 minutes.<br \/>\nHey hey hey, you&#8217;re gone. Good luck.<br \/>\nHey hey hey hey. Well, let&#8217;s not waste any time.<br \/>\n30 minutes. 30 minutes to collect as many<br \/>\nclues as possible that will allow you to have the code word to<br \/>\nenter the treasure room and, above all, to do so. And the treasure in question will fall. Well, of course you do<br \/>\nn&#8217;t know where we&#8217;re going. It&#8217;s wall-passing, wall-passing!<br \/>\nOh ! He is so cute. He is so cute. But wall-walker, why as a ghost? That&#8217;s incredible. You&#8217;re a very haunted boy. The manor. And the manor is indeed inhabited by<br \/>\nhigher forces that escape us. Yeah, well, the<br \/>\nhigher power is going well, eh? You need Camille, very good. But I don&#8217;t know, it&#8217;s&#8230; The fianc\u00e9e, the fianc\u00e9e.<br \/>\nI learned it twice. Kisses.<br \/>\nAnd we&#8217;re heading towards Le Manoir. GOOD.<br \/>\nThe Manor, the Manor. Great, it&#8217;s smaller. Not nice. It&#8217;s not me. Is it a little<br \/>\ntoo difficult for you to win? We&#8217;ll go get it. We lost everything. Is this a new slogan? Yes. So here is the scope of the manor.<br \/>\nOkay. You&#8217;re going to need to collect<br \/>\ntwo pieces of metal like this. Okay. They are. And then, he is in this mansion<br \/>\nand on these pieces of metal, there is part of the code that will<br \/>\nallow us to have the cartridge that is currently locked away. Who&#8217;s going to go there? It will occur to me when you write it,<br \/>\nto say period, period. I&#8217;m coming.  Eh<br \/>\n?  Eh ?<br \/>\nWe don&#8217;t say one, we say sorry. Pardon ?<br \/>\nHow does he do it? It&#8217;s you. Come on, say it clearly, period, period. You bring them back to us, you write them down for us,<br \/>\nyou give them to us. In short, we need this.<br \/>\nAre there animals and everything? No.<br \/>\nNot at all, not at all. How are you.<br \/>\nMaybe. You know, with the strong,<br \/>\nyou never know. Passes everywhere.<br \/>\nTate. Together, stronger than the strong. I forgot the slogan, my trash. 3, 2, 1, here we go. Stop! 56 points, points. He&#8217;s afraid of everything, it&#8217;s not possible. He runs away screaming. He is very alive. Come on, we&#8217;re coming. What the hell is this? In the trunk,<br \/>\nin the trunk, in the trunk. You also have a closet on your left. They are getting it in their faces. On the other side, on the other side. Come on, hurry up,<br \/>\nhurry up, hurry up. Look for.<br \/>\nCome on, I&#8217;m coming. Come on, I&#8217;m coming, go ahead. He&#8217;s funny. I arrive, he searches, quickly, quickly, quickly. Did you look<br \/>\nin the chest where the skeleton is? I don&#8217;t hear.<br \/>\nYou rushed it a bit. The drawers. This is my genet.<br \/>\nGive it to us. 32. Come on, quick, quick, Lo\u00efc. Okay, okay, we have 56. Yes, but open, open. Quick, quick, quick, open up. It was all a no-brainer. I thought it was going to explode. Well yes, me too,<br \/>\nI tell you frankly. Alright.<br \/>\nWell done ! It&#8217;s horrible. Wait, you&#8217;re remarkable. We&#8217;re not opening them now?<br \/>\nYou freaked us out. I feel my heart skipping a beat. You saw when I opened it,<br \/>\nthere was the little one who was like&#8230; I don&#8217;t need to be too cute,<br \/>\nI should have taken the tip like that, little cork. It&#8217;s always hidden<br \/>\nin places where it gets in your way. He is everywhere. You&#8217;re everywhere at the same time. That&#8217;s cool, we have a first clue.<br \/>\nGood, perfect. Let&#8217;s keep it up.<br \/>\nThe Angel&#8217;s Leap, now. Whoa!<br \/>\nWe&#8217;re going to celebrate this up in the hills. Come on, let&#8217;s go. Oh, oh my!<br \/>\nMy heart is pounding. You almost scared me<br \/>\n, pass it to him. Okay, come on, come on, come on, stop. Luckily I&#8217;m not counting<br \/>\non you to scare the Allez. Come on, Camille. Come on, Camille, are you okay? Yeah.<br \/>\nWow, you look stressed. Come on, Camille. Come on, Camille, it&#8217;s easy<br \/>\nfor you, it&#8217;s not easy. Well, it&#8217;s a bit windy, Camille.<br \/>\nI am very, very happy. But at the same time&#8230;<br \/>\nOf course, I&#8217;m scared. When you have to jump, you have to jump,<br \/>\nno matter the conditions. Have you ever bungee jumped or not?<br \/>\nNever. It&#8217;s her first time,<br \/>\nshe&#8217;s never bungee jumped. She sings, she sings. For this jump, we<br \/>\nneed to retrieve the code on the attached elastic band,<br \/>\nso that we can use it to open the box<br \/>\ncontaining the cartridge. You jump from<br \/>\nthe moment you feel it. Knowing that despite everything,<br \/>\nthere is a time given to us. Of course. How are you ? Yes.<br \/>\nHow are you ? You speak super loudly about the code. She&#8217;s stressed out there, to do you.<br \/>\nShe&#8217;s incredibly stressed. She&#8217;s stressed, but I have confidence. Camille, go to the foundation. We are here for them. She&#8217;s going to go. 3, 2, 1. Here we go. Camille! Camille! Camille! Camille!<br \/>\nCamille! Camille!<br \/>\nGreat. Camille! Camille! Come on ! Fort Boyard! Stronger than the strong. With. Oh my God. It&#8217;s good. It&#8217;s good. Yeah, great. Come on, darling,<br \/>\ncome up, come up, come up. Come on, the port, the port.<br \/>\nI&#8217;m coming. Come on, what does she say? Wait, wait. Wow, that&#8217;s impressive. This is awesome. Oh, it&#8217;s a vision. One, seven, three, two, three, two. One, one, seven. One, seven, three, two.<br \/>\nOne, seven, three, two. One, seven, three, two.<br \/>\nWell done. One, seven, three, two.<br \/>\nIt&#8217;s good. Well done.<br \/>\nYou have the one, it&#8217;s one. One, seven, three, two, one, seven, seven.<br \/>\nYes, yes, yes, yes, yes, She did it. Listen, bravo, bravo, bravo.<br \/>\nWell done Camille. Well done to all of you. Give the cartridge<br \/>\nover, please. How are you ?<br \/>\nSo, are we getting along? We&#8217;ll meet Camille in a moment. And we won&#8217;t be staying here for<br \/>\nlong because, in the end, he&#8217;s not acting like a cho-cho.<br \/>\nSo where are we going? Okay, let&#8217;s go. Here we go.<br \/>\nWe&#8217;re going to uncover. We no longer remain mocked.<br \/>\nBut yes, but I was looking for you. Where are you ? She&#8217;s lazy.<br \/>\nThis is crazy stuff. This is crazy stuff.<br \/>\nThis is crazy stuff. It&#8217;s still not very cool.<br \/>\nThis is Willy Rovelli. That smells less good.<br \/>\nYes ? Yes, no, but say, it&#8217;s fine, yes. Oh, my sir. We&#8217;re going to make him stay there, actually. While last year, this good Willy was awarded the ultimate reward. Willy, I give you<br \/>\nyour first star. This winter, he received<br \/>\na visit that was anything but friendly. With its sanitary facilities, we no longer move. It&#8217;s all the talk<br \/>\nin the local newspaper. Oh, to know! The fort&#8217;s leader<br \/>\nhad his star removed. Hard news<br \/>\nfor all the regulars to swallow. The cow. To save his restaurant,<br \/>\nWilly made a decision. That&#8217;s it, I&#8217;ve made a decision. He was going to imagine bringing a new<br \/>\nmenu worthy of the greatest establishments. So, let&#8217;s hope our adventurers are<br \/>\nhungry, otherwise the bill could be steep. This is<br \/>\nWilly&#8217;s restaurant, which has lived&#8230; I&#8217;ll tell you something,<br \/>\nhe&#8217;s a little on edge. Because he lived&#8230; But look, he lived through a<br \/>\ncomplicated time, all the same. In view of administrative firmness. Yes, hygiene is passed. It went very badly. And he almost died. But he remains there, hanging on. He clings to his star more,<br \/>\nbecause he lost his star. He has more than the rock. He&#8217;s very angry, yes.<br \/>\nHe has more than the rock. Here, there are two who are going to go. Sylvie?<br \/>\nNo, no. Alex, why are you looking at<br \/>\nyour feet all of a sudden? And Lor\u00e9. No ! Girls, you need the clue. There is no hunting fuss.  There&#8217;s no fuss, he&#8217;s stupid. You&#8217;ll get there. But I know, but you<br \/>\n&#8216;ll get there, you&#8217;re good. Look how wonderful you are. Come on, both of you go. Enjoy your food. It&#8217;s a foregone conclusion, it&#8217;s vomit. No, no, no, don&#8217;t worry about it. You girls, it&#8217;s&#8230;<br \/>\nNo! Hello, hello! Come, come, come! Welcome to Willy Rovelli&#8217;s, come on, come on<br \/>\n, come on, welcome to Willy Rebelly&#8217;s, come on,<br \/>\ncome on, come on, oh my, come on, come on! Finally some beautiful smiles<br \/>\nin this house! Finally some beauty!  Do<br \/>\nyou know that my house was closed? Ah good ?<br \/>\nFor hygiene reasons. Oh no, clever girl! Yes, I was told: There are flies<br \/>\nin your meal, but the flies were my meal. They don&#8217;t understand anything,<br \/>\nthey&#8217;re completely&#8230; So, to earn a little<br \/>\nmoney, well, I started writing poetry. Listen, listen. Oh you, ladies! Tender as a roll of licorice,<br \/>\nmelting like the chicken and its thigh, as big as the Rungis market,<br \/>\nyou are true delights. Ah, well,<br \/>\nwe can start writing poetry and close the shop like that, we pretend.<br \/>\nTHANKS. Well, well, we imagine that<br \/>\nthe three of us are living a great and beautiful love story. Let&#8217;s imagine, let&#8217;s imagine. It&#8217;s early morning and I&#8217;ve<br \/>\ndecided to bring you breakfast in bed. So, pay attention, pay attention, pay<br \/>\nattention. I didn&#8217;t bring you<br \/>\nproducts like that that you find&#8230; No, no, no, no. I&#8217;ve traveled the world for you,<br \/>\nbecause you deserve it. I brought you some Vegeamite,<br \/>\nsome Mammamite. What is this ? So you&#8217;re going to tell me,<br \/>\nwhat is it? Well, it&#8217;s a spread<br \/>\nthat people eat in faraway countries, made with oil. There&#8217;s only oil. There&#8217;s animal oil,<br \/>\nvegetable oil, cod oil, engine oil, yard oil. There&#8217;s only oil, oil, oil&#8230; It &#8216;s so greasy, it&#8217;s so greasy. You don&#8217;t have enough fat,<br \/>\nthere&#8217;s only fat. And then of course,<br \/>\nto get it all across&#8230; Are you Julette?<br \/>\nYes ! But say, she knows what she&#8217;s talking about!<br \/>\nMilk from what? Milk from what?<br \/>\nBut say, she knows what she&#8217;s talking about. Fermented mare&#8217;s milk.<br \/>\nOh no! It is the milk that is<br \/>\nfermented, not the mare. So, here we go. You only have a few seconds, my<br \/>\nlittle darlings, will you eat it all? Well, that&#8217;s the beautiful mint.<br \/>\nThis is the beautiful mint. I&#8217;ll give you a few seconds,<br \/>\nhurry up, go ahead, take all the time you need.<br \/>\nGood luck. Come on, let&#8217;s go, let&#8217;s go, do it like this. Sylvie, Sylvie, Sylvie, bite more, more, more, Come on, go ahead.<br \/>\nAll your elegance. Come on, Laurine.<br \/>\nSO ? She swallowed it all, that&#8217;s good.<br \/>\nA little bit of that. A little bit of that.<br \/>\nTake a little bit of this. Take the spoon, go ahead.<br \/>\nAlright. It&#8217;s for the association.<br \/>\nTake good association. Come on, it&#8217;s for the association.<br \/>\nCome on, Laurine. Come on, don&#8217;t let go of me. Come on, it&#8217;s with a good<br \/>\nspoon, Laurine. It&#8217;s a good association.<br \/>\nCome on. What does this taste like?<br \/>\nIt has a landscape. What does it taste like?<br \/>\nWhat does it taste like? What does it taste like?<br \/>\nWhat does it taste like? What does it taste like?<br \/>\nWhat does it taste like? What does it taste like?<br \/>\nWhat does it taste like? What does it taste like?<br \/>\nWhat does it taste like? What does it taste like?<br \/>\nWhat does it taste like? It has a landscape.<br \/>\nWhat does it taste like? It has a landscape.<br \/>\nLauri, think of something happy. Yes, yes, yes, yes, go ahead. Or maybe that, with that,<br \/>\nit passed me by, you&#8217;ll see. Good spoon, Lor\u00e9,<br \/>\nit&#8217;s a good association. Come on.<br \/>\nWhat does it taste like? What does it taste like? This is not good. I&#8217;m sorry, girls. I&#8217;m sorry, I can&#8217;t help you.<br \/>\nYou&#8217;ve spat it all out. It&#8217;s dirty.<br \/>\nNo, you didn&#8217;t eat any of it. Here, you have this when you leave,<br \/>\nI&#8217;ll give it to you. Yes, yes, no, no, no, that&#8217;s it, you do<br \/>\nn&#8217;t even have to eat it. Go away, go away,<br \/>\ngo away, go away. Look, I&#8217;m going to say<br \/>\ngoodbye to you like the hemis. There you go, there you go, go away. Leave quickly, you haven&#8217;t won anything. Go away, I&#8217;ll keep my clue.<br \/>\nCome on, come on. No, no, no. You&#8217;ve done the fine<br \/>\nbits, I don&#8217;t like that. Go away, go away, me. No, no, no, no, no, The look.<br \/>\nFilthy? On the other hand, I am requesting a complaint. I ate everything,<br \/>\nwe must have the night of that. That&#8217;s true, but it was a two-person thing. It&#8217;s because of her.<br \/>\nShe spat it all out. I swallowed it all. It&#8217;s true that mare&#8217;s milk<br \/>\nhad a radical effect on you. Well done Camille. Well, listen, what&#8217;s certain,<br \/>\nin any case, is that this time, we won&#8217;t have had the clue. You can&#8217;t win every time either.<br \/>\nWhat does it do? It&#8217;s water.<br \/>\nIt&#8217;s water. It&#8217;s rainwater.<br \/>\nPass Wall. The dollhouse.<br \/>\nYou need someone. I felt it well. You need Laurine and Sylvie. Well, I say. Nothing was said to you. It&#8217;s done three times, Laurine. He never takes boys,<br \/>\nhe always takes. Yes, yes, yes.<br \/>\nNo, no, no, the restaurant had mixed. Here we go.<br \/>\nDollhouse. Dollhouse.<br \/>\nCome on, girls. There, it&#8217;s suspense. Indeed, I confirm, it is suspense. We are here in<br \/>\nthe bowels of the fort. Yes, that&#8217;s where<br \/>\nPompey&#8217;s house is. In this dollhouse you have to<br \/>\nfind a code. It is divided into two parts. Only this code will allow you to retrieve<br \/>\nthe clue that is right in front of you. Who will go<br \/>\ninto this dollhouse now? Who has never dreamed<br \/>\nof playing with dolls again? She leans in whenever you<br \/>\nask questions. Alexandra, I&#8217;m losing her.<br \/>\nIt&#8217;s awkward for little ones. She still has a shoelace problem<br \/>\nwhen she comes to the name. She does it mechanically, naturally.<br \/>\nThis is very weird. It&#8217;s a syndrome. Imagine, Alex, that it&#8217;s Camille. We only have two clues,<br \/>\nthey give us one. They&#8217;re making us a third one.  Did<br \/>\nyou lose a lot of stuff there? It&#8217;s obvious.<br \/>\nWe need this help. Go! Go! Go. Who are you?<br \/>\nWhat are you doing in my room? Go upstairs.<br \/>\nScorpion. Oh yeah, you told me<br \/>\nupstairs first, right? You, you have nothing? Ah, he has a sound.<br \/>\nLook, we see it, we see it there! We followed him!<br \/>\nShe has no fear. No fear, she&#8217;s great,<br \/>\nI adore her, I love her, I&#8217;m going to marry her. Come on.<br \/>\nIt is empty. Is it empty?<br \/>\nIt was a good hour too. It was indeed one o&#8217;clock.<br \/>\nIt&#8217;s there, we can see it. You&#8217;re right there. Come on, go ahead. 26 points, points. 26? I have a surprise for you. He has already helped.<br \/>\nShe&#8217;s amazing, isn&#8217;t she? She is in control.<br \/>\nOh my! Hello ladies, she runs fast. Come on, come on, come on!  Do<br \/>\nyou see the&#8230; ?<br \/>\nLook right away. The messages?<br \/>\nYeah. There we can&#8217;t see a bit.<br \/>\nYou need to turn them over, darling. Not the one in front<br \/>\nof you, there is nothing. Come on Camille, turn them over. I thought they were tarantulas,<br \/>\nnot mygales. But it&#8217;s the same thing,<br \/>\nyou know, they are that, so&#8230; They are that&#8230;<br \/>\nYes, it&#8217;s this one! Is this the one?<br \/>\nYes, this is it, go ahead! Come on, sweetie, come on,<br \/>\ndon&#8217;t be afraid, it&#8217;s all in your head. She&#8217;s scared, she&#8230;<br \/>\nFrom below, from below. It&#8217;s all in your head, sweetie,<br \/>\ncome on, hurry up, sister. From below, lock the legs.<br \/>\nWe&#8217;re going to lose the clue. Come on, don&#8217;t be afraid.<br \/>\nNo, she won&#8217;t do anything to you. Her name is B\u00e9n\u00e9dicte,<br \/>\nshe&#8217;s super nice. But it&#8217;s very small.<br \/>\nIs this the right one? It can be a decoy.<br \/>\nThirteen ! Thirteen ! Oh yes, listen, then, remarkable!<br \/>\nIt&#8217;s good ? Yes.<br \/>\nSuperb performance. Come on, yes, it&#8217;s good. Well done Camille. Camille, Camille, Camille,<br \/>\nshe&#8217;s the strongest. Dylan, you give me a big hug. Great.<br \/>\nCome on, smoke, smoke. Well done.<br \/>\nWell done. You were scared, you were scared.<br \/>\nYes, I was scared. I suggest that you react by<br \/>\ntweeting loudly with the hashtag Camille is a heroine. Yeah, yeah, yeah, that&#8217;s true.<br \/>\nA heroine. Well then&#8230; But it&#8217;s true, it&#8217;s Fasmurail<br \/>\nwe need now. Fasmurail! Can we<br \/>\nstill pet them a little afterward? Because here, she<br \/>\noffers us the water jet beam. I love this one. It&#8217;s the beam, there are<br \/>\nbig genes coming out. That&#8217;s what I just said,<br \/>\nwater jet beam. Let&#8217;s go. This is ridiculous. I think. How could I do that? The water is 16 degrees, everything is fine. We&#8217;re in the shorts,<br \/>\nbut everything&#8217;s fine. It&#8217;s okay, Paspereuil. Tell me how many there are 10? How much ?<br \/>\nHow much ? How much ?<br \/>\nHow much ? How much ? Excuse me, I forgot<br \/>\nyou don&#8217;t speak. How much ?<br \/>\nBecause that&#8217;s how it is. Let&#8217;s use drastic measures.<br \/>\nCome on, come on, hop, here we go. This is the best.<br \/>\nSit down. Okay, girls, listen to me,<br \/>\nso you have to go to the end of the beam to get the code.  The only way to get the cartridge, which<br \/>\nis currently locked up here on the stairs. Well, Laure and you, daughter of the sea,<br \/>\nyou will now go. Yes, daughter of sailors. Attention. Three, two, one.<br \/>\nHere we go. Come on, Laurine!<br \/>\nTake your time. Beware of reservations. Yeah, great, Laurine.<br \/>\nThis is awesome. And there you have it, now you&#8217;re nice and clean. Take your time, look ahead. No, take your time.<br \/>\nIn front. Look ahead, it&#8217;s great. Come on, come on, it&#8217;s good, it&#8217;s good, no. Come on, ouch, ouch, ouch. Oh my! Maurice, you go.<br \/>\nChain. Sylvie, you look straight<br \/>\nahead, okay? I fell.<br \/>\nCome on Sylvie! Come on Sylvie!<br \/>\nCome on Sylvie! Come on Sylvie!<br \/>\nCome on, cheer up. The girl is<br \/>\ndrifting the cart. Come on Sylvie!  Do n&#8217;t stop, don&#8217;t stop!  Do n&#8217;t stop! Don&#8217;t stop, just say it!<br \/>\nCome on !  Do n&#8217;t stop, don&#8217;t stop.  Do<br \/>\nn&#8217;t stop. Come on, don&#8217;t stop, don&#8217;t stop. Come on, it&#8217;s good, it&#8217;s good. It&#8217;s great, we&#8217;re happy here.<br \/>\nCome on, Nantes champion. His name is Philippe Proche-Coucran. Swim, swim. Go ahead, it&#8217;s good. Sylvie, he swims, swims. Sylvie, go to the index. Come on girls,<br \/>\nwe&#8217;re with you, courage. Well, Ben-Hier. What, what is it?  Do you want money?  Do you want some change, Thomas?<br \/>\nAll that money? I have this. A Boyar. I have this. Cold room. Let&#8217;s go, it&#8217;s the submarine. What is the room? It&#8217;s the submarine sleeping there. But it divides. It firmed up the flesh.<br \/>\nExactly. We&#8217;re super toned now. Ah, take this one. No, not that, that one, that one, that one. So, what&#8217;s this disgust? I hope<br \/>\nthe little ones don&#8217;t drift away. We&#8217;ll leave them now, you know.<br \/>\nWell, yes, listen&#8230; They gave<br \/>\ntheir best. Sylvie Tellier has had<br \/>\nher day, I think. But no, of course they will come back<br \/>\nvery quickly in a few days. The cold room, then, here. Yes. Whoever enters the<br \/>\ncold room will find a small key with a red ribbon. You will slide this key<br \/>\nalong the path of this metal pipe, to a small<br \/>\nglass cabinet where the code is located that will allow us to recover the clue.<br \/>\nSo, who&#8217;s going to go now? Well&#8230;<br \/>\nOpen up. I know it works.<br \/>\nBecause it&#8217;s Alex. Oh ! Come on, we have the only word, I don&#8217;t do it. Well then let&#8217;s go.<br \/>\nGo ahead, open the door. Come on Alex, come on Alex. I am ready. Come on, without the kid.  Go ahead Alex. Don&#8217;t let go of me. Yeah, take the scenery away, hide the scenery. Come on, Alex.<br \/>\nDon&#8217;t hesitate, eh? We need to be faster. Faster, faster. Head first in there. Head first in there. She really needs to be faster. Any faster and you lose time. Alex, it&#8217;s timed. You still have to move your ball. You really need to go faster, Alex. Hurry up, Alex, it&#8217;s okay. That&#8217;s great, Alex, you look great. But don&#8217;t get me wet. Come on, Franco, imagine<br \/>\nSylvie and Laurier in the water. No, no, no, no, no,<br \/>\nIt&#8217;s okay, it&#8217;s hot, hot. Come on, come on, faster.<br \/>\nCome on, come on, come on, come on. We need a little boost.<br \/>\nFaster. I need you to speed up. Come on, come on, Alex. But yes, that is very, very good. It firmed up the flesh and you won. Come on, come on, Alex, fight. Come on, Alex. Go! Go! Go. Quick, we&#8217;re wasting time, hurry up. Come on, come on.<br \/>\nQuickly. It&#8217;ll be too late otherwise! That&#8217;s good, I like the tender ones.<br \/>\nHurry up! Go! Go! Go !<br \/>\nWhere did we get some? Ouch, it&#8217;s too late. Yes, too late,<br \/>\nI kept telling you. It&#8217;s too late!<br \/>\nHe gets lost, he gets lost, he gets lost. Well, blow, it&#8217;s your<br \/>\nbirthday present. Yes, it was a good day. Where is it happening? Open the door. Unfortunately, progress<br \/>\nhas not been as rapid as hoped. Come here.<br \/>\nIt came down to 30 seconds. Well then, a<br \/>\nhot reaction, or rather, a cold reaction. Yes, very cold. I felt like I was<br \/>\nKate with Slate in the Titanic. Ah, the blue lip.<br \/>\nIt&#8217;s true ? Oh yeah, yeah, yeah. There was also a little bit of a<br \/>\nCharron Stone side to&#8230; In Bazy Castaing?<br \/>\nBazy Castaing. I&#8230; I threw myself at night from afar.<br \/>\nYes yes. Pascal Reil. How fast! We don&#8217;t see anything else coming. But where does it come from? Plato 215, a short TV show.  Do<br \/>\nyou love me? Great.<br \/>\nTo make you healthy. Come on, let&#8217;s go.<br \/>\nYou agree with him on that. We&#8217;ll dry you off. OK thanks. The Hot Perforate. A TV show like you&#8217;ll<br \/>\nnever see anywhere else. Here, it is Le Perforat who is the host.<br \/>\nAll right. And it offers you a sort of quiz<br \/>\nthat you have to answer successfully.  The only way to free the clue that is<br \/>\ncurrently imprisoned. All right. Who will answer<br \/>\nFather Flore&#8217;s questions? It&#8217;s you.  Do you want to see the Perforat there?<br \/>\nYeah. You need to take off your shoes. It&#8217;s a little bit like seeing your father&#8230;<br \/>\nYour shoes? Ah good ? I mean, your skate-backs<br \/>\n, you know? It&#8217;s a gift.<br \/>\nNo thanks. It looks like Willy&#8217;s kitchen. Well then&#8230; Be careful.<br \/>\nGo behind, go behind. Pardon.<br \/>\nBe careful, it&#8217;s happening everywhere. 3, 2, 1. You&#8217;re on air. Come on, back. Good evening and welcome to set 215 for our meeting with Father Fourachaud. My little Jarry, how are you? It&#8217;s going so-so because I think there&#8217;s<br \/>\ngoing to be some stuff&#8230; I&#8217;m not going to&#8230; Plus, you have the radiant<br \/>\n, sunny presence of Wall-Walker next to you, ladies and gentlemen. So, I&#8217;m going to<br \/>\nask you some questions. In front of you there are trapdoors. After each answer,<br \/>\nyou move on to the next trapdoor. But be careful, I need three<br \/>\ncorrect answers, don&#8217;t I? And you&#8217;re<br \/>\nonly allowed one mistake. All right.<br \/>\nIs it clear so far? It&#8217;s super clear.<br \/>\nYes. Okay, listen, it&#8217;s going to get a little<br \/>\ncomplicated later on, but hey, you&#8217;ll see. Wall-passer, opening<br \/>\nthe first trapdoor. Okay now, Jarry, you go down<br \/>\nthis trapdoor, with both feet inside. Go ahead Jarry, believe in yourself.<br \/>\nCome on, come on, let&#8217;s not waste any time. Come on.<br \/>\nThey&#8217;re just millipedes. Ride my little Jarry. Come on, come on. There you go, but that&#8217;s good. It can&#8217;t eat. But no, it doesn&#8217;t eat.<br \/>\nOh my, you surprise me. Come on, come on, let&#8217;s let go of our<br \/>\nhands, let&#8217;s hold on. No, I mustn&#8217;t shout, I<br \/>\nmustn&#8217;t shout. He&#8217;s going to hide me.<br \/>\nI mustn&#8217;t shout. There we are, here we are. Listen carefully. When it feels threatened, the yul,<br \/>\nthe millipede-like creature at your feet, curls up into a ball and expels<br \/>\nrepellent substances that can stay on your skin for a week or even a year. Of course.<br \/>\nSo, answer. One week.<br \/>\nOne week. Good answer. I didn&#8217;t even wait for<br \/>\nyou to tell me to get out. No, no. Listen, we&#8217;re going to move on<br \/>\nto the next trapdoor. Wall-walker, opening<br \/>\nthe second trapdoor. There you go, there you go. So, the same principle, now you<br \/>\nare used to it, my little Jarry, you go down the trapdoor. If you want the question, you<br \/>\nhave to do it. Don&#8217;t worry. Yes. You are very concerned. Take me first.  Do n&#8217;t write, don&#8217;t write, don&#8217;t write<br \/>\n, don&#8217;t write, don&#8217;t write, don&#8217;t write , That&#8217;s why your<br \/>\nhair is standing on end like that. It&#8217;s from shouting, I think. Listen carefully, here is the question. A tapeworm can measure a turd. Hurry up, a tapeworm,<br \/>\nwhat is a tapeworm? Listen to me, Jarry, listen. A tapeworm can measure<br \/>\nup to 2 meters or even 10 meters. Two meters!<br \/>\nPardon ? Two meters.<br \/>\nThis is false. He bites me, he bites me. He bites me, he bites me. Tell me, my little Jarry,<br \/>\nyour right to make mistakes is exhausted, isn&#8217;t it? So now we need a perfect score. Let&#8217;s concentrate a little bit. There&#8217;s no dancing down there. Pass-through, opening of the third hatch. No, no, I can&#8217;t, I can&#8217;t.<br \/>\nNo, I can&#8217;t. Come on, Jarry.  I can&#8217;t. I&#8217;m going to get the emigrant. Let&#8217;s go back to the trapdoor,<br \/>\nJarry, please. I swear, I can&#8217;t,<br \/>\nI&#8217;ll fall into fears. We try, you&#8217;ll regret it later. Jarry, listen to me.<br \/>\nAre they going to bite me? Come on, Jarry, I order you<br \/>\nto stand in front of the trapdoor. I can&#8217;t, I can&#8217;t. Come on.<br \/>\nI can&#8217;t, I swear. Don&#8217;t step on them,<br \/>\npush them with your foot. For what ?<br \/>\nHe looks at me. Look, he&#8217;s looking at me, he&#8217;s looking at me.<br \/>\nI feel it. Because you are interesting.<br \/>\nIf you want, I&#8217;ll take you apart. You are the person of Evian.<br \/>\nBut no. I don&#8217;t feel well. But yes. You&#8217;ll be glad you<br \/>\ndid it afterwards. But where do I put it?<br \/>\nGo ahead, start asking the question. Lower your feet into the trapdoor. You&#8217;ll see, Pierre Fouras,<br \/>\nwhat will happen to you. Come on, little one, I&#8217;m coming, here you go. So, it&#8217;s the first foot that counts. Go! Go! Go. Oh, your outfit is cute.<br \/>\nI&#8217;m happy, aren&#8217;t I? Well, well, well, well, you&#8217;re doing well. What is the sign of the year<br \/>\n2015 in Chinese astrology? The goat or the snake?<br \/>\nThe snake. Well, that&#8217;s not true, that&#8217;s it. Listen, you&#8217;re going out. And you lost. Finally, you have won by seeing me. Pierre Courace, I loved you. Ever since I was little,<br \/>\nI dreamed of meeting you. So what? And just like that, you&#8217;ll remember it. Come on, come on, join<br \/>\nyour team, Zahri. Come on, it&#8217;s always nice,<br \/>\nit&#8217;s always warm in the Perfourage. It doesn&#8217;t matter. It doesn&#8217;t matter. It doesn&#8217;t matter.<br \/>\nGood, you put your foot in it. The shadow is trying,<br \/>\nwhich means we have no more time to collect the clues. Nothing more, finished. Father Foura is waiting for us downstairs<br \/>\nfor an important message he has given. We have it immediately,<br \/>\nwe follow, we go through. Come on. Don&#8217;t scream, don&#8217;t scream,<br \/>\ndon&#8217;t scream, don&#8217;t scream, don&#8217;t scream.  Do n&#8217;t shout.  Do n&#8217;t shout. Wait, don&#8217;t start again. Alert. The resistance. Listen. My dear adventurers, you have almost reached the end of your quest. And given your results,<br \/>\nI&#8217;ve decided to be lenient. You will have the opportunity to<br \/>\nmake up for it, since I will allow the prisoner to escape. Prisoner, you will have 1 minute 30 seconds to<br \/>\nescape and return to your team. We&#8217;re in a hurry, we&#8217;re in a hurry.  Which<br \/>\nway is it? What is this?<br \/>\nIt&#8217;s in the dead end. We&#8217;re done, we&#8217;re done. Here, I&#8217;m going to take a look. If you exceed this time,<br \/>\neach additional second will be subtracted from your team&#8217;s time<br \/>\nin the Treasure Room. So, be quick if you<br \/>\nstill have any hope of stealing from my Boyars. Are you ready? Yes. Yes. So, three, two, one. Mister Bou, free her. Come on, Rachel! Come on, make a sound! Come on, my dear. She does it quite well. Come on, Rachel! Come on, Rachel! Wait, wait. No, no, don&#8217;t go back. No, no, Rachel. But why is she going back? Come on, Rachel, it&#8217;s a failure. Continue. Covers the elbows. That&#8217;s good, there you go, there you go, there you go. Come on, one strong, one strong. Great, great. Come on, come on.<br \/>\nCome on, come on. Go! Go! Go. Come on, Rachel. Go ahead, Rachel. We&#8217;re wasting time, Rachel.<br \/>\nCome on, hurry up. We can&#8217;t waste any time. Come on. This is not the right exit. Hey, it&#8217;s a dead end. So what is it? This is not the right exit. It&#8217;s a dead end. Down, down, down, down. Open the train. Open the train. Come on, hurry up. Come on, Rachel, come down. We are all the best. We waste a lot of time.<br \/>\nHurry up. Come on, Rachel. Come on, great. Come on, Rachel! Come on, do it right away. Franchot, come on, come on, come on. It&#8217;s almost. Keep going, keep going. Come on, be brave. Afterwards, we will do so much. Come on, go ahead, Rachel. Hurry up! We have a ladder! We have a ladder!<br \/>\nCome on, Rachel, right now. Come on, come on, come on<br \/>\n, come on, come on, stay. Go ahead, Fred. Come on, strong. Come on, Rachel. The torpedo with your hands,<br \/>\nbreak with your hands. Come on, come on.<br \/>\nYou&#8217;re hurrying me up, Rachel. We can&#8217;t get anything in the<br \/>\nTreasury if this continues. We&#8217;ll wake you up in the corner,<br \/>\nin the Treasure Room. Push, push.<br \/>\nWe are here. Push, we&#8217;re here. Help me. No. Come on, we&#8217;re here. Give me your hand. I&#8217;m going to take you by the wrist.<br \/>\nCome on, let&#8217;s go. Quick, quick, quick. She pulls the handle. 3, 2, come on, quick. Push the handle, push the handle. You did it. Well done Rassou.<br \/>\nYou just did a decorating show. How is your hand? You did it. Come on, come on. Three, two, one. Together, stronger than happiness. GOOD. So, I&#8217;ve left you to your joy<br \/>\nof finding Rachel again, but I still need to<br \/>\nquickly check in with you. We took a huge chunk of time<br \/>\non Rachel&#8217;s escape, meaning we lost<br \/>\na minute and six seconds. So there are 54 seconds left<br \/>\nin the treasure room. We can really recover some<br \/>\nprecious time for you in the council with what<br \/>\nFather Fourard is going to offer you. Here we go. In the search for treasure, every second can be worth gold. Time is so precious in this strange<br \/>\nplace that to protect it, Foura himself will challenge you. Surrounded by these mysterious soldiers,<br \/>\nyour final battle will begin. Don&#8217;t get trapped. The council is about to begin. Now we have arrived at the council. Father Fouras is waiting for you. Finally, he is waiting for three of you. The idea is to save time. We lost a lot with<br \/>\nRachel&#8217;s escape, but we&#8217;re so happy to have you with us.<br \/>\nThe ball, here. You need more seconds<br \/>\nin the Treasure Room to be sure of having the code word and especially to have<br \/>\na maximum of fog for the association you represent. So I will now go and<br \/>\nsee Father Fouras. Father Fouras? Olivier!<br \/>\nYes ? I was sad, I thought<br \/>\nyou had forgotten me. Dude, come on, you never inhabit my<br \/>\nthoughts from morning to night, from night to morning. You have to be punctual, my little Olivier.<br \/>\nLook, I&#8217;m trying to do my best. You know, we had a breakout,<br \/>\nit took us a while. As the fox said to the little prince,<br \/>\notherwise I don&#8217;t know what time to dress my heart, you see. It&#8217;s pretty. Come on, send me Sylvie. Alright. Sylvie, Father Fourat is waiting for you. Come on, Sylvie. Yes, I will give it my all,<br \/>\nbut I am not very comfortable with these challenges. Yes, Sylvie.<br \/>\nGood morning. Exactly, look. I am counting<br \/>\nwith the masters. This is your fourth time<br \/>\nhere. Yes, I consulted my books. Come on, I propose a duel against<br \/>\nthe master. Master, take your place. Three ten-second rounds.<br \/>\nAll right. I&#8217;m going to insert a cartridge<br \/>\ninto the center of this holder. Yes.<br \/>\nAfter a while. The cartridge will spring out and the first one&#8230; Do we<br \/>\nhave to catch it? Yes, the first person to grab it, you<br \/>\nsay grab it, not catch it from the ground, wins<br \/>\na round, that is, ten seconds. Three rounds?<br \/>\n30. Bravo!<br \/>\nOh my! Let&#8217;s turn it off.<br \/>\nAre you ready? Yes.<br \/>\nYes. Watch out, here we go. Tons-I. The paw swipe!<br \/>\nThe paw swipe! Did he train or what? Listen, that&#8217;s the first<br \/>\nround won by the master. Respect. Come on, are you ready? Attention, second round. She has the right to breathe. What&#8217;s going on? We need to calm down a little. At the same time, it&#8217;s good.<br \/>\nI trained him well. So, be careful, last<br \/>\nchance to save 10 seconds. Ten seconds to win, Mathilde.<br \/>\nThank you Porfora. THANKS.<br \/>\nAre you happy? You were afraid of leaving empty-handed.<br \/>\nTen seconds? It&#8217;s always like that.<br \/>\nYou&#8217;re the one who won it. He was good.<br \/>\nYes, very good. Send me the auri.<br \/>\nWell, with pleasure. Okay, leave me alone. Well done !<br \/>\nWell done ! Ten seconds. Ten seconds?<br \/>\nWait, ten. It&#8217;s still better than nothing.<br \/>\nThat&#8217;s it, that&#8217;s good. You got them, that&#8217;s the main thing. Father Foura asked. I&#8217;ll send Lorri.<br \/>\nLorri? This is what remains to be done. He was&#8230;<br \/>\nThat&#8217;s cute. That&#8217;s cute.<br \/>\nWho is this gentleman? What&#8217;s wrong?  Do n&#8217;t shout, don&#8217;t shout, don&#8217;t shout. You cost me a lot<br \/>\nfor a hearing aid. You mess me up every time. Yes, we need to synthesize the films.<br \/>\nYes, I have to change everything. How are you ?<br \/>\nAre we calm? How are you. Yes, you&#8217;re not afraid<br \/>\nof big beasts? How are you ?<br \/>\nHow are you ? So far, this is the first<br \/>\ntime I&#8217;ve met them. I had never been here.<br \/>\nListen, okay. So, I&#8217;m going to ask you a riddle. And as soon as I say the riddle,<br \/>\nthe second hand will begin its journey. One turn. So the faster you respond,<br \/>\nand much faster, the chances of you gaining seconds,<br \/>\nnamely 30 seconds, 20 seconds, 10 seconds or nothing. Only one turn. Okay, is that clear?<br \/>\nIt&#8217;s clear. Are you focused?<br \/>\nYes. Top!<br \/>\nSecond hand. Even though we enjoy worshipping it, it is<br \/>\nwith difficulty that it helps us swallow. A pill. I had time, I surprised myself. I was enjoying reading my<br \/>\nriddle and you ruined it all. It&#8217;s good ?<br \/>\nYes, it&#8217;s good. I have 30 seconds?<br \/>\nWell yes. Ah, here we go again.<br \/>\nIt&#8217;s good ? Can I go?<br \/>\nWell there you go. Can I give you a kiss?<br \/>\nAre you in a hurry to leave me like this? I can kiss you.<br \/>\nWell yes. Thank you, you need me so much. Well, listen, you send me Camille.<br \/>\nYes, I&#8217;ll send it to you. That&#8217;s me, a candidate. Well, there it is. Bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo<br \/>\n, bravo, bravo, what was the question?<br \/>\nThat&#8217;s what gives us 1 minute 34. We can bask in it,<br \/>\nswallow it, that&#8217;s it, then&#8230; It&#8217;s perfect who swallowed it.<br \/>\nIt&#8217;s 1min34. That&#8217;s great. So, tell me,<br \/>\nwho is the perforator asking for? Uh, sorry, Camille.<br \/>\nCamille, come on Camille. Where do I go? It&#8217;s this way. Ladies and gentlemen,<br \/>\nbut why is it okay? Meter, this is Camille.<br \/>\nExcuse me, did you do something? I had planned a showdown. But why did you take me? But wait, I&#8217;m not going to make this<br \/>\na disproportionate ordeal. I have a little surprise for you.<br \/>\nAgainst you? A little surprise for you. Come on, you have a new master.<br \/>\nMaster, come in, master. I present to you Millimeter. Oh my! It&#8217;s so cute. It&#8217;s so cute. Look, she&#8217;s at T Yes. I&#8217;ll explain the letter to you. We wrote a<br \/>\nlove letter earlier. Ah good ?<br \/>\nYes. Oh, I didn&#8217;t know that. Let me explain. You will have to grab one of the weights<br \/>\nwith one finger, put your arm over the cord<br \/>\nand hold this weight for as long as possible. The first one to knock down<br \/>\nthe bars loses the duel. Is that okay? Now you have<br \/>\na choice. Either you choose the lightest weight<br \/>\n, the same as the meter, that is to say it is worth 10 seconds,<br \/>\nor the average weight for a value of 20 seconds or the total ambition,<br \/>\nthe heaviest big weight, that of 30 seconds. So you play for 10,<br \/>\n20 or 30 seconds. There is not as much weight.<br \/>\n20. Take 20. What do you think<br \/>\nabout a millimeter? I&#8217;ll take 20 seconds. So you play for the weight<br \/>\nworth 20 seconds. Be careful, on my instruction,<br \/>\nyou will grab the weight at the same time, turn your hand over and pass your<br \/>\narm over the cords. Here we go, let&#8217;s go. Come on, let&#8217;s get into position. There you go, the arm remains well stretched out. Here we go. I&#8217;ll put your letter<br \/>\non my table two, I do. Come on Camille! In the head!<br \/>\nIt&#8217;s in the head. Ah, we&#8217;re not joking.<br \/>\nIt&#8217;s in the head. Come on, millimeter. Stop, what is<br \/>\nthis burglary technique? Come on, my little kitty, this is your goal.<br \/>\nYou&#8217;ll take it off, Camille. Come on, come on, come on, be strong, buddy. He&#8217;s going to let go.<br \/>\nHe lets go, he lets go. Look, he&#8217;s sweating. Where is my little cat not trembling? Where is he shaking? Come on, come on, come on, come on,<br \/>\noh, that&#8217;s a duel of the titans right there. Come on, well done. Well done.<br \/>\nCome on. She played well from It&#8217;s<br \/>\nwon, 20 seconds. Yes.<br \/>\nWell done, well done. Let&#8217;s put this to bed, I&#8217;ll say goodbye. And then, I hope we see you again. Yes.<br \/>\nWell, next year at least. Yes, I hope so.<br \/>\nBye. THANKS.  See you<br \/>\nsoon.  See you soon.<br \/>\nLook at me. We are delighted. Well done ! You did very well. The moment of solitude. We love that he doesn&#8217;t do a<br \/>\nIt&#8217;s good! It&#8217;s good !<br \/>\nIt&#8217;s good ! 20 seconds. Well, thanks to Camille,<br \/>\nwe now have 1 minute 54 seconds in the Treasure Room. Well, it&#8217;s not<br \/>\nreally a great comfort either. So, we&#8217;ll have to move quickly to<br \/>\ndiscover the code word. And then above all, have a good strategy<br \/>\nfor collecting the boyars, if the code word is the right one. We go everywhere, right away. What are our strategies?<br \/>\nI need it taken away. Come on, boyar collection strategy. Set it up during the trip. The last page of our<br \/>\nstory will be written now. Feline, Dreyse and Tigre are<br \/>\nwaiting for them now. For our adventurers, it&#8217;s<br \/>\nalready time to take stock. We had a bit of trouble getting started. I think we couldn&#8217;t have done better. We gave it our all. Look ahead. Now it is time<br \/>\nto make the final effort. There is only one<br \/>\npossible combination to win the treasure. But one small mistake,<br \/>\nand there&#8217;s no gold coin. Fingers crossed we&#8217;ll find the<br \/>\ncode and come back with lots of money. We&#8217;re exhausted, but we&#8217;re not going to<br \/>\ngive up until the end. Before the final word,<br \/>\nnothing is really certain. Why did you come?<br \/>\nThe thugs won. And I hope you<br \/>\nget as many as possible. Okay, first, distribution. You<br \/>\nhave seven. Now you can<br \/>\nunlock the Treasure Room. Go ahead as soon as you have them,<br \/>\nplace them in the locks. We do Indra, bring in the tigers. It doesn&#8217;t matter, it&#8217;s his whip. I remind you that you have in your<br \/>\npossession three clues which will be distributed now.<br \/>\nAnd 1 minute 54 seconds. At my best, you open cartridges,<br \/>\nfind the code word, and rush to position yourself on the checkerboard.<br \/>\nAttention. 3, 2, 1. Go ahead<br \/>\n. The gate rises. Go ahead, Dan. It&#8217;s good, it&#8217;s good. Here, go ahead.<br \/>\nSilence. Silence.<br \/>\nAwakening. Wake up, silence.<br \/>\nWake up, sleep. Morning.<br \/>\nStation. Radio.<br \/>\nAwakening. Station, radio. R-a-b-i-o.<br \/>\nR-a-b-i-o. Oh !<br \/>\nAnd what do I do? Which way do I go?<br \/>\nYou stay on the side in this case. All right. R, A, O.<br \/>\nD, D, D. D, next to you.<br \/>\nAlex. R, A, D, I, O. F\u00e9indra, Tiger Head. Yes, it is radio. Come on,<br \/>\nyou have very few seconds to do hobbies. Come on, be sure Come on, come on.<br \/>\nCome on, come on. Come on, come on.<br \/>\nCome on, come on. Come on, come on.<br \/>\nCome on, go ahead. Come on, do everything quickly. Come on, it&#8217;s good. It&#8217;s good. Watch out, the gate is closing. Bring it back, bring it back, girls.<br \/>\nAlex. Come on, come on, come back, come back. Rachel, come on, come on, come on. Quick, quick, quick, quick, quick.<br \/>\nNo, you don&#8217;t have time. Lorie, you don&#8217;t have time.<br \/>\nYou don&#8217;t have time. You don&#8217;t have time.<br \/>\nYou don&#8217;t have time. You don&#8217;t have time.<br \/>\nYou don&#8217;t have the Go, go, go. You can no longer pick up coins<br \/>\nonce the grill is cleared. Finished, we stop.<br \/>\nWe stop, we stop, we stop. Come on, to the weigh-in, come on, to the pleasure. Come on, have fun. We had it for a short time. Unfortunately, unfortunately.<br \/>\nBut you found the right word body. Radio, therefore, was the word to find<br \/>\nto bring down the treasure. Your first clue was silence,<br \/>\nradio silence, which is the absence of communication<br \/>\nso as not to reveal one&#8217;s position. As a second clue, station<br \/>\nfor a radio station. And finally, an alarm clock for a clock radio<br \/>\nBut you already found that. Well, here is now what<br \/>\nthe weight of the Boyards represents in euros. I ask Camille to come and join<br \/>\nPasse Partout to pour the contents of the cauldron into the scales. Come on. THANKS.<br \/>\nWe did what we could, anyway. It smells good. Let&#8217;s see what it is. \u20ac9,730. You have raised<br \/>\n\u20ac9,730 for your association. Considering the short time you<br \/>\nhad in the Treasury Room, that&#8217;s a very nice amount.<br \/>\nI tell you this sincerely. So, Camille, first<br \/>\ntell us about this association, precisely, that you are representing this evening. So, it is the Avec Foundation<br \/>\nwhich is based on several pillars: international mobilization,<br \/>\nthe fight and research against cancer. And then also, a pillar that particularly touches me is the development of structures<br \/>\nto improve the daily lives of patients. And today, everyone is affected<br \/>\nby cancer, in their family or themselves. So, it&#8217;s a cause that is<br \/>\nparticularly close to my heart. Perfect. We are all the more pleased to be<br \/>\nable to donate \u20ac9,730 to this foundation thanks to you. Thanks again, Jarry. Thanks for your good humor too. It&#8217;s a dream to be surrounded<br \/>\nby the most beautiful women in France. You were great. The more adorable they are. We didn&#8217;t make fun of you or<br \/>\nthose of you who followed us. We offered you to meet the<br \/>\nprettiest girls in our country. Thank you for being part<br \/>\nof this adventure. As for us, we will meet again very<br \/>\nsoon for new adventures. Always further, always<br \/>\nhigher, always stronger.<br \/>\n<br \/>\nRachel Legrain-Trapani, Laury Thilleman, Jarry, Alexandra Rosenfeld, Sylvie Tellier et Camille Cerf ont \u00e9t\u00e9 envoy\u00e9s sur Fort Boyard, lieu embl\u00e9matique isol\u00e9 en pleine mer. Leur but ? R\u00e9cup\u00e9rer toutes les cl\u00e9s et indices qui leur permettront d\u2019acc\u00e9der \u00e0 la la salle du tr\u00e9sor et de gagner un maximum d\u2019argent pour une association. Pour y arriver, ils devront d\u00e9passer leurs peurs, r\u00e9soudre des \u00e9nigmes mais surtout s\u2019entraider.<\/p>\n<p>Fan de l&#8217;\u00e9mission Fort Boyard ? L&#8217;int\u00e9grale des \u00e9missions est disponible ICI \ud83d\udc49 https:\/\/www.youtube.com\/@FortBoyard_Replay\/?sub_confirmation=1<br \/>\nAbonnez-vous ! <\/p>\n<p>FORT BOYARD<br \/>\nDroits r\u00e9serv\u00e9s<\/p>\n<p>#fortboyard #replay #aventure #jeuxtv<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SP\u00c9CIAL MISS ! Camille Cerf, Sylvie Tellier \u2026 \u00e0 l\u2019assaut du fort \u23aeFORT BOYARD 2015 E02 I, Father Fouras, maste<\/p>\n","protected":false},"author":4,"featured_media":1824183,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[593413],"tags":[922341,922342,922343,135,38990,943650,943629,943630,943638,943642,943639,943644,943640,943625,943648,943626,943636,943634,943637,943647,130005,943649,943633,943628,943627,943653,943643,943641,943652,943654,943646,943645,943651,21687,943635,943632,943631,9,924551,30213],"class_list":{"0":"post-1824182","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-2025-winter","8":"tag-2025-winter","9":"tag-2025-winter-anime","10":"tag-922343","11":"tag-anime","12":"tag-association","13":"tag-camille-cerf","14":"tag-celebrites","15":"tag-cles","16":"tag-defis-extremes","17":"tag-emission-entiere","18":"tag-epreuves","19":"tag-fort-boyard-entier","20":"tag-fort-boyard-replay","21":"tag-fortboyard","22":"tag-intervilles","23":"tag-jeu-aventure","24":"tag-jeu-francais","25":"tag-jeu-tele","26":"tag-jeux-tv","27":"tag-koh-lanta","28":"tag-miss","29":"tag-nostalgiamania-fort-boyard-quebec","30":"tag-olivier-mine","31":"tag-passe-partout","32":"tag-pere-fouras","33":"tag-rachel-legrain-trappani","34":"tag-replay-entier","35":"tag-replay-television","36":"tag-rosenfeld","37":"tag-special-miss","38":"tag-stream-entier","39":"tag-streaming-fort-boyard","40":"tag-sylvie-tellier","41":"tag-television","42":"tag-television-francaise","43":"tag-tigres","44":"tag-tresor","45":"tag-9","46":"tag-season-2-arise-from-the-shadow","47":"tag-30213"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/posts\/1824182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/comments?post=1824182"}],"version-history":[{"count":0,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/posts\/1824182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/media\/1824183"}],"wp:attachment":[{"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/media?parent=1824182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/categories?post=1824182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wacoca.com\/anime\/wp-json\/wp\/v2\/tags?post=1824182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}