@falernoducande1961 Nonsense! She is a wonderfull violin player and in this piece of Handel she is able and not forbiden to follow the sheet music and show her virtuosis talent.As you know, Handel wrote more for the performers than for himself.The Barroc period had that freedom.About "NIPPONICI"…please,do not go this way!
@liriango questa esecuzione potrebbe essere appropriata per SIBELIUS WIENIANSKY ma non certo per Handel…il Caro Sassone era figlio del suo tempo e scriveva per Cantanti tipo Francesca Cuzzoni Sandoni Faustina Bordoni Hasse il Senesino il Montagnana, questa interpretazione è pessima …dici che ha talento? allora lo usa malissimo ha sbagliato musica, ma si sa il commercio ha le sue regole e quì vi è la dimostrazione lampante della sua prepotenza
She is entitled to interpret her own way, just as other musicians and conductors put their own stamp on music. The same concerto, for instance, conducted by Klemperer or von Karajan have different speeds and stresses. Handel wrote pensive music too, and this interpretation fits with the mood of Ombra mai fu and other items in his works. So when are you going to play it for us and post it here – or are you full of hot air?
precisely interpret and manipulate ….. here is no longer interpret oh well it is useless to argue with people like you ……. Handel would have written as you say, but do not make me laugh please this performance of Handel is obscene, and I say it's just a little marketing and advertising just low level of both cultural expression of human culture is just to make money this is hot air
I repeat:- when are you going to play it and post it for us to show how it should be done? All composers have their work arranged for different tastes; Dvorak's New World arranges spirituals. Vaughn Williams used folk songs in his Fanhtasia, and so on, so your purist attitude is out of touch with reality. Your racist comment is also unacceptable – tua intoleranza e una vergogna.btw, how well do you play Japanese musical instruments?.
nothing more simple … go to the website and feel la sala del cembalo del caro sassone org 125 hours of music on the harpsichord made by me Fernando De Luca ….. to play well you have to have art and taste ….. but often one has the art much less flavor I TEGO ARCANA DEI
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alsome music
most ezcellent.
@speedyan Yes,i concur with you this is a most exellent performance!
I think she has to be very good to make the violin sing in such a way. Even the finest instrument needs the right touch to sound like that.
OMG! this sound is divine! perfect violin!
ORRIBILE ESECUZIONE!!!! BASTA CON QUESTI NIPPONICI…. ARTICOLAZIONI FRASEGGIO APPOGGI AGOGICHE TUTTE SBALLATE TORNATE A FARE IL TEATRO NO
@falernoducande1961 Nonsense! She is a wonderfull violin player and in this piece of Handel she is able and not forbiden to follow the sheet music and show her virtuosis talent.As you know, Handel wrote more for the performers than for himself.The Barroc period had that freedom.About "NIPPONICI"…please,do not go this way!
@liriango questa esecuzione potrebbe essere appropriata per SIBELIUS WIENIANSKY ma non certo per Handel…il Caro Sassone era figlio del suo tempo e scriveva per Cantanti tipo Francesca Cuzzoni Sandoni Faustina Bordoni Hasse il Senesino il Montagnana, questa interpretazione è pessima …dici che ha talento? allora lo usa malissimo ha sbagliato musica, ma si sa il commercio ha le sue regole e quì vi è la dimostrazione lampante della sua prepotenza
wonderfull
Merde del porco! E bella.
She is entitled to interpret her own way, just as other musicians and conductors put their own stamp on music. The same concerto, for instance, conducted by Klemperer or von Karajan have different speeds and stresses. Handel wrote pensive music too, and this interpretation fits with the mood of Ombra mai fu and other items in his works. So when are you going to play it for us and post it here – or are you full of hot air?
precisely interpret and manipulate ….. here is no longer interpret oh well it is useless to argue with people like you ……. Handel would have written as you say, but do not make me laugh please this performance of Handel is obscene, and I say it's just a little marketing and advertising just low level of both cultural expression of human culture is just to make money this is hot air
ripeto è osceno….. a tutto vi è un limite il mercato impera sempre
I repeat:- when are you going to play it and post it for us to show how it should be done? All composers have their work arranged for different tastes; Dvorak's New World arranges spirituals. Vaughn Williams used folk songs in his Fanhtasia, and so on, so your purist attitude is out of touch with reality. Your racist comment is also unacceptable – tua intoleranza e una vergogna.btw, how well do you play Japanese musical instruments?.
nothing more simple … go to the website and feel la sala del cembalo del caro sassone org 125 hours of music on the harpsichord made by me Fernando De Luca ….. to play well you have to have art and taste ….. but often one has the art much less flavor I TEGO ARCANA DEI
Bellllllllíiiiiiiisimoooo!!!!!
It's so saddening that in the face of beauty, there will always be at least ONE idiot who tries to find fault with it.
高嶋ちさ子リナルドより「私を泣かせてください」ただ引いてるだけ？。何も伝わらない。ヴァイオリンの音は良い。演奏、音に酔ってるの？。楽器に酔ってるの？。
I love Lacia Ch'io pianga! It's amazing when sung, such a beautiful song. And a lovely performance by Chisako Takashima. 🙂
高島千佐子の「カッチーニ。アベマリア。ただバイオリン弾いてるだけ、何も伝わって来ない。何時になったらまともな演奏出来るのか？。これではとうしようも無いな。阿保くさー。
とても おもしろい です。
ひふみんのおかげで、おまえのクッソゴミみたいな、めざましテレビみたいな低俗演奏会が
ＴＶに映ってよかったなあ？クッソババア
失礼ながら、ただ淡白な演奏にしか聞こえません。
Simplesmente lindo 👏👏👏👏👏👏
何も感動しない
かえって怒りが
沸いてくる